The Men of the Moss-Hags: Being a history of adventure taken from the papers of William Gordon of Earlstoun in GallowayCrockett, S. R. (Samuel Rutherford)
History
The Men of the Moss-Hags: Being a history of adventure taken from the papers of William Gordon of Earlstoun in Galloway
Crockett, S. R. (Samuel Rutherford)
Covenanters -- Fiction; Scotland -- History -- 17th century -- Fiction
She was on a lonely place on the moors, with deep moss-hags and holes in
the turf where men had cut peat. These were now filled with black water.
She stopped, took out the warrant for her father's execution, tore it
into a thousand pieces, and sunk it carefully in the deep hag. The white
horse of the King's rider meanwhile stood patiently by till she mounted
again--I warrant as swiftly as she used to do in the old days at the
Duchrae.
But the tearing of the warrant would only delay and not prevent her
father's death. She saw that clearly. There came to her the thought of
the free pardon. To inscribe a name in the blank space meant a release
from prison and the chance of escape. She resolved to write it when she
came to the next change-house.
But as she rode she fell to the thinking, and the question that surged
to and fro in her heart, like the tide in a sea-cave, was--which name
would be found written on that pardon when she rode to the Tolbooth of
Edinburgh to deliver it into the hands of the Captain of the Guard.
As she thought she urged her horse the faster, so that the sooner she
might come to the change-house and settle the question.
"He is my father," she said over and over, dwelling on all that her
father had been to her. "I cannot--I will not think of others before
him. It is my father's name I will write in the pardon--I must, yes I
must!"
And the name of another did she not mention at all, as I have been
informed. At last she came to the door of the change-house, and,
throwing her reins over the tieing post at the gate, she went in boldly.
"Bring me an inkhorn and a goose-quill!" she cried to the dame of the
inn, forgetting that she had donned her maid's clothes again, and
speaking in the hectoring voice of the birkie student. She threw a
silver coin on the table with a princely air that suited but
indifferently with the sober fashion of her maiden's dress. And among
the mutchkins on the ribbed and rimmed deal table, she squared herself
to write in the name upon her free pardon.
She set her pen to the parchment bravely. Then she stopped, took a long
breath and held it, as though it were the dying breath of one
well-beloved which she had in her keeping. With sudden access of resolve
she began a bold initial. She changed it. Then she wrote again hastily
with a set face, but holding her hand over the writing, as though to
shield the words from sight. Which being done, she looked at what she
had written with a blanched and terror-stricken countenance.
No sooner was the ink dry, than bending again to the paper, she began
eagerly to scrape at it with her finger-nail, as though she would even
yet change her thought.
But as she rubbed the parchment, which was very fine and soft, part of
it curled up at the edge into a tiny roll like a shaving of bark when
one cuts a white birch. Instantly Maisie discerned that there were two
parchments instead of one.
Public-domain text, read in full here on John Shaqi.
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