In something more than twenty minutes Annie was down and waiting
impatiently for her father. Her whole mind was bent on getting to town.
She hardly saw Beveridge. As for him, chagrined as he was, he had to
admit that she looked very pretty in her trim blue gown. He had never
before seen her dressed for the city. He was inclined to feel awed as
well as bewildered. Then, finally, appeared the Captain in his Sunday
clothes. And the three set out for the train and Dick.
All the way Annie was preoccupied. Hardly a word could Beveridge get.
From the train they hurried over to the stone building with the barred
windows. Here the special agent held a short, whispered conversation
which ended in the unbarring of doors and the word to follow down a
corridor. And finally the last door was opened and Dick stood before
them, dishevelled, unshaven, but indisputably Dick. Beveridge found
himself slipping into the background when Annie and the prisoner were
clasping hands without a word; but he watched them. He saw the question
in Dick's eyes,--the something deep and burning, the something that
was _not_ a question, in Annie's. He saw that she did not think of
withdrawing her hand; he knew that in one short moment more her arms
would be thrown around Dick's neck. He turned away, and, leaving them
there, walked out into the street.
The lights were out at “The Teamster's Friend.” It was ten o'clock at
night, and from Stenzenberger's lumber office on one corner through to
the corner at the farther end of the block the street was deserted. But
Beveridge, who slowly turned the corner by the lumber yard,--Beveridge,
who had passed the most turbulent day of his life trying to realize that
he had lost Annie,--knew where to look. Lonely, miserable, plunged into
dejection now that the strain was over, he turned into the driveway that
led to the sheds in the rear of the saloon, and, pausing, looked up.
Yes, there was a light in the upper rear window. He whistled. The
curtain went up a little way--some one was looking down. The curtain
went down again; the light slowly disappeared, leaving grotesque shadows
on the curtain as it was carried from the room. Steps sounded in the
hall; the bolt slipped back, and Madge stood in the doorway.
“Hello,” said Beveridge. “Here I am.”
“Oh,” cried Madge, with what sounded like a gasp of relief. She drew him
quickly in, closed and locked the door, and stood looking at him.
“I had to go out of town, Madge. I didn't get in till late last night. I
have some news for you.”
“Come in,” she said. And they went back into the dining room, where she
had set down the lamp. They took chairs on opposite sides of the table.
Madge rested her elbows on the red cloth, propped her chin on her
two hands, and waited. Beveridge, while he looked at her, was rapidly
getting back his self-possession.
“Well, Madge, there's a good deal to tell you. McGlory--”
Public-domain text, read in full here on John Shaqi.
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