and a property calabash containing a pot of porter was used; but
although the same result was constantly won, Malibran always said it
was not half so 'nice,' nor did her anything like the good it would
have done if she could only have had it out of the pewter." Clara
Louise Kellogg in her very lively "Memoirs" publishes a similar tale
of another singer: "It was told of Grisi that when she was growing old
and severe exertion told on her she always, after her fall as Lucrezia
Borgia, drank a glass of beer sent up to her through the floor, lying
with her back half turned to the audience." Miss Kellogg complains of
the breaths of the tenors she sang with: "Stigelli usually exhaled an
aroma of lager beer; while the good Mazzoleni invariably ate from one
to two pounds of cheese the day he was to sing. He said it
strengthened his voice. Many of them affected garlic." It is
necessary, of course, that a singer should know what foods agree with
him. He must keep himself in excellent physical condition: small
wonder that many artists are superstitious in this regard.
Charles Santley, who was so fond of eating and drinking himself,
offers some excellent advice on the subject in "Student and Singer":
"How the voice is produced or where, except that it is through the
passage of the throat, is unimportant; it is reasonable to say that
the passage must be kept clear, otherwise the sound proceeding from it
will not be clear. I have known many instances of singers undergoing
very disagreeable operations on their throats for chronic diseases of
various descriptions; now, my observation and experience assure me
that, in ninety-nine cases out of a hundred, the root of the evil is
chronic inattention to food and raiment. It is a common thing to hear
a singer say, 'I never touch such-and-such food on the days I sing.'
My dear young friend, unless you are an absolute idiot, you would not
partake of anything on the days you sing which might disagree with
you, or over-tax your digestive powers; it is on the days you do not
sing you ought more particularly to exercise your judgment and
self-denial. I do not offer the pinched-up pilgarlic who dines off a
wizened apple and a crust of bread as a model for imitation; at the
same time, I warn you seriously against following the example of the
gobbling glutton who swallows every dish that tempts his palate."
Public-domain text, read in full here on John Shaqi.
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