The Merry Men, and Other Tales and FablesStevenson, Robert Louis
History
The Merry Men, and Other Tales and Fables
Stevenson, Robert Louis
Boys -- Fiction; Great Britain -- History -- 19th century -- Fiction; Paranormal fiction; Treasure troves -- Fiction
He glanced over his shoulder at the open door, where the shadow was
still lingering and shivering; and with no conscious repugnance of the
mind, yet with a tremor of the belly, he drew near the body of his
victim. The human character had quite departed. Like a suit
half-stuffed with bran, the limbs lay scattered, the trunk doubled, on
the floor; and yet the thing repelled him. Although so dingy and
inconsiderable to the eye, he feared it might have more significance to
the touch. He took the body by the shoulders, and turned it on its
back. It was strangely light and supple, and the limbs, as if they had
been broken, fell into the oddest postures. The face was robbed of all
expression; but it was as pale as wax, and shockingly smeared with
blood about one temple. That was, for Markheim, the one displeasing
circumstance. It carried him back, upon the instant, to a certain
fair-day in a fishers’ village: a gray day, a piping wind, a crowd upon
the street, the blare of brasses, the booming of drums, the nasal voice
of a ballad singer; and a boy going to and fro, buried over head in the
crowd and divided between interest and fear, until, coming out upon the
chief place of concourse, he beheld a booth and a great screen with
pictures, dismally designed, garishly coloured: Brown-rigg with her
apprentice; the Mannings with their murdered guest; Weare in the
death-grip of Thurtell; and a score besides of famous crimes. The thing
was as clear as an illusion; he was once again that little boy; he was
looking once again, and with the same sense of physical revolt, at
these vile pictures; he was still stunned by the thumping of the drums.
A bar of that day’s music returned upon his memory; and at that, for
the first time, a qualm came over him, a breath of nausea, a sudden
weakness of the joints, which he must instantly resist and conquer.
He judged it more prudent to confront than to flee from these
considerations; looking the more hardily in the dead face, bending his
mind to realise the nature and greatness of his crime. So little a
while ago that face had moved with every change of sentiment, that pale
mouth had spoken, that body had been all on fire with governable
energies; and now, and by his act, that piece of life had been
arrested, as the horologist, with interjected finger, arrests the
beating of the clock. So he reasoned in vain; he could rise to no more
remorseful consciousness; the same heart which had shuddered before the
painted effigies of crime, looked on its reality unmoved. At best, he
felt a gleam of pity for one who had been endowed in vain with all
those faculties that can make the world a garden of enchantment, one
who had never lived and who was now dead. But of penitence, no, not a
tremor.
Public-domain text, read in full here on John Shaqi.
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