The Merry Men, and Other Tales and FablesStevenson, Robert Louis
History
The Merry Men, and Other Tales and Fables
Stevenson, Robert Louis
Boys -- Fiction; Great Britain -- History -- 19th century -- Fiction; Paranormal fiction; Treasure troves -- Fiction
When he had got safe into the drawing-room, and shut the door behind
him, he was aware of a respite from alarms. The room was quite
dismantled, uncarpeted besides, and strewn with packing cases and
incongruous furniture; several great pier-glasses, in which he beheld
himself at various angles, like an actor on a stage; many pictures,
framed and unframed, standing, with their faces to the wall; a fine
Sheraton sideboard, a cabinet of marquetry, and a great old bed, with
tapestry hangings. The windows opened to the floor; but by great good
fortune the lower part of the shutters had been closed, and this
concealed him from the neighbours. Here, then, Markheim drew in a
packing case before the cabinet, and began to search among the keys. It
was a long business, for there were many; and it was irksome, besides;
for, after all, there might be nothing in the cabinet, and time was on
the wing. But the closeness of the occupation sobered him. With the
tail of his eye he saw the door—even glanced at it from time to time
directly, like a besieged commander pleased to verify the good estate
of his defences. But in truth he was at peace. The rain falling in the
street sounded natural and pleasant. Presently, on the other side, the
notes of a piano were wakened to the music of a hymn, and the voices of
many children took up the air and words. How stately, how comfortable
was the melody! How fresh the youthful voices! Markheim gave ear to it
smilingly, as he sorted out the keys; and his mind was thronged with
answerable ideas and images; church-going children and the pealing of
the high organ; children afield, bathers by the brookside, ramblers on
the brambly common, kite-flyers in the windy and cloud-navigated sky;
and then, at another cadence of the hymn, back again to church, and the
somnolence of summer Sundays, and the high genteel voice of the parson
(which he smiled a little to recall) and the painted Jacobean tombs,
and the dim lettering of the Ten Commandments in the chancel.
And as he sat thus, at once busy and absent, he was startled to his
feet. A flash of ice, a flash of fire, a bursting gush of blood, went
over him, and then he stood transfixed and thrilling. A step mounted
the stair slowly and steadily, and presently a hand was laid upon the
knob, and the lock clicked, and the door opened.
Fear held Markheim in a vice. What to expect he knew not, whether the
dead man walking, or the official ministers of human justice, or some
chance witness blindly stumbling in to consign him to the gallows. But
when a face was thrust into the aperture, glanced round the room,
looked at him, nodded and smiled as if in friendly recognition, and
then withdrew again, and the door closed behind it, his fear broke
loose from his control in a hoarse cry. At the sound of this the
visitant returned.
“Did you call me?” he asked, pleasantly, and with that he entered the
room and closed the door behind him.
Public-domain text, read in full here on John Shaqi.
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