The Merry Men, and Other Tales and FablesStevenson, Robert Louis
History
The Merry Men, and Other Tales and Fables
Stevenson, Robert Louis
Boys -- Fiction; Great Britain -- History -- 19th century -- Fiction; Paranormal fiction; Treasure troves -- Fiction
By about four in the afternoon we had crossed the summit of the
mountain line, said farewell to the western sunshine, and began to go
down upon the other side, skirting the edge of many ravines and moving
through the shadow of dusky woods. There rose upon all sides the voice
of falling water, not condensed and formidable as in the gorge of the
river, but scattered and sounding gaily and musically from glen to
glen. Here, too, the spirits of my driver mended, and he began to sing
aloud in a falsetto voice, and with a singular bluntness of musical
perception, never true either to melody or key, but wandering at will,
and yet somehow with an effect that was natural and pleasing, like that
of the of birds. As the dusk increased, I fell more and more under the
spell of this artless warbling, listening and waiting for some
articulate air, and still disappointed; and when at last I asked him
what it was he sang—“O,” cried he, “I am just singing!” Above all, I
was taken with a trick he had of unweariedly repeating the same note at
little intervals; it was not so monotonous as you would think, or, at
least, not disagreeable; and it seemed to breathe a wonderful
contentment with what is, such as we love to fancy in the attitude of
trees, or the quiescence of a pool.
Night had fallen dark before we came out upon a plateau, and drew up a
little after, before a certain lump of superior blackness which I could
only conjecture to be the residencia. Here, my guide, getting down from
the cart, hooted and whistled for a long time in vain; until at last an
old peasant man came towards us from somewhere in the surrounding dark,
carrying a candle in his hand. By the light of this I was able to
perceive a great arched doorway of a Moorish character: it was closed
by iron-studded gates, in one of the leaves of which Felipe opened a
wicket. The peasant carried off the cart to some out-building; but my
guide and I passed through the wicket, which was closed again behind
us; and by the glimmer of the candle, passed through a court, up a
stone stair, along a section of an open gallery, and up more stairs
again, until we came at last to the door of a great and somewhat bare
apartment. This room, which I understood was to be mine, was pierced by
three windows, lined with some lustrous wood disposed in panels, and
carpeted with the skins of many savage animals. A bright fire burned in
the chimney, and shed abroad a changeful flicker; close up to the blaze
there was drawn a table, laid for supper; and in the far end a bed
stood ready. I was pleased by these preparations, and said so to
Felipe; and he, with the same simplicity of disposition that I held
already remarked in him, warmly re-echoed my praises. “A fine room,” he
said; “a very fine room. And fire, too; fire is good; it melts out the
pleasure in your bones. And the bed,” he continued, carrying over the
candle in that direction—“see what fine sheets—how soft, how smooth,
Public-domain text, read in full here on John Shaqi.
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