Jalal al-Din Rumi, Maulana, 1207-1273; Mevleviyeh; Sufi literature
[264] The night of his marriage with Safiyya, after the capture of
Khaybar, in the seventh year of the Hijra, as he was returning to
Medīna. That night has a special name, based on this circumstance: _the
night of the early morning halt_ (laylatu ’t-ta’rīs).
[265] An explanation of this wild expression were much to be desired.
Doubtless there is one.
[266] There are seven different Persian games of backgammon. The
second of the seven, the one mentioned by the poet, is called “Plus”
(_Ziyād_). At each throw of the dice, one is added, arbitrarily, to
each number shown on the two, ace becoming deuce, &c. The poet likens
the body to this supposititious number, the soul alone being real.
[267] In performing her devotions, a Muslimess has to veil herself,
even at home, as though she were abroad in public.
[268] These four lines are quoted from Sanā’ī, for comment.
[269] This section and the next two form a comment on Sanā’ī.
[270] Qur’ān l. 14. The “new creation” is the resurrection.
[271] The tradition, in prose, is as follows, quoted by the poet: “Take
ye advantage of the coolness of spring; it invigorates your bodies, as
it acts on plants. Avoid ye also the cold of autumn; it acts on your
frames as it acts on vegetation.”
[272] Prisoners and fugitive slaves have iron rings or a kind of wooden
pillory fastened round their necks to prevent flight or insubordination.
[273] Venus, the musician, who inhabits the planet. See Tale iii.,
dist. 223.
[274] Muhammed.
[275] The original name of Medīna,—_Jatrippa_.
[276] Qur’ān xlvii. 17.
[277] Qur’ān vii. 171.
[278] Tradition relates that at first, Muhammed used to pronounce his
sermon seated on the floor in the midst of his congregation, with his
back against a certain wooden pillar. The congregation increasing, he
was obliged to adopt the use of a raised platform, a kind of pulpit, so
as to be seen and heard of all. The deserted pillar is the one spoken
of.
[279] This is a traditionary legend.
[280] The circumambulation of the “House of God” at Mekka, is one of
the ceremonies of a pilgrimage, &c.
[281] Qur’ān i. 5.
[282] Hātim Tāyī is the proverbial prince of Arabian generosity. Many
anecdotes are current respecting him. His full name was Hātim, son of
‘Abdu-’llāh, son of Sa’d, of the tribe of Tayyi’. For instances of
his generosity, as handed down by tradition from a time shortly prior
to the promulgation of Islām, see Mr. Clouston’s “_Arabian Poetry for
English Readers_,” p. 406; London, 1881; Trübner & Co., Ludgate Hill.
But Hātim lived and died before the Caliphs ruled. He, too, was a poet.
[283] Qur’ān xx. 97, makes the wandering Jew, Sāmirī, who produced the
golden calf, to shun every one, saying, “Touch me not!”
[284] Vicar of God is one of the Caliph’s titles. This “pretender” must
have been some particular adversary of the poet’s. The satire is bitter.
[285] Bāyezīd of Bestām, in Persia, an early Gnostic saint; died A.D.
874 (A.H. 261).
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