The Messiah of the CylinderEmanuel, V. R. (Victor Rousseau)
Philosophy
The Messiah of the Cylinder
Emanuel, V. R. (Victor Rousseau)
Science fiction
The bridge on which I stood ran from the Council Hall to the wing where
Sanson dwelled. A bridge from the Temple building ran straight to the
fortress of the airships at right angles to this, the two thus crossing,
forming a little enclosed space in the center. At various spots, bridges
from the enclosing fortress crossed the court and entered the pile of
buildings. And the whole concept was so beautiful that even then I
stopped to gaze.
But I did not know whither to turn. In front of me, where the bridge
entered Sanson’s wing, a guard stood watching me. As I approached the
central place where the two bridges met he raised his Ray rod with a
threatening gesture.
I turned to the right. Here, where the bridge from the Temple entered
the fort of the airships, I saw an airscout in blue, with the white swan
on his breast, watching me. Again I stopped. My mind was awhirl with the
horrors that I had seen; I could not think! I did not know what to do.
All exit seemed barred to me except that whereby I had come.
Beneath me lay the court, a broad expanse of white, inlaid with
geometrical figures of green grass. On it crawled tiny figures in blue.
I was halfway between the court below and the Temple dome above; yet
everything was so still that the voices below came up to me.
A group had gathered, chattering excitedly, about something that lay
hard by the Temple entrance. As they moved this way and that I saw that
it had been a woman. She had been young; her garments had been white;
there was a gold palm on a torn-off fragment that a gust of wind drove
up toward me. I caught at it, but it went sailing past and fluttered
down in the central court between the buildings.
I saw the spectators look up toward the aerial gardens. The blood-red
creeping vine now swung from an open crystal door. That paradise of
tropic beauty, those flame-colored flowers were such as blossom in hell.
The crystal door above me clashed to and reopened as the wind caught it.
It seemed to clang rhythmically, like a clear tocsin, high up beneath
the dome, a bell of doom to warn the blood-stained city. Again it
sounded like a workman’s hammer; and the silence that covered everything
made the sounds more ominous and dread, as if Fate were hammering out
the minutes remaining before she slashed her thread.
An old man pushed his way through the gathering crowd. He peered into
the white face, and wrung his hands, and wept, and his voice rose in a
high, penetrating wail.
“It’ll all be ended,” I heard him cry. “I can’t work now. I can’t make
up my time. I’ve spent my credit margin. I’m old and outed and done
with. I’ll have to go to the Comfortable Bedroom.”
It was the old man whom I had seen earlier that day. The crowd jeered
and pressed forward, those who were behind craning their necks and
rising on their toes to see the joint spectacle of death and grief. The
old man shook his gnarled fist at his dead daughter.
Public-domain text, read in full here on John Shaqi.
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