The Messiah of the CylinderEmanuel, V. R. (Victor Rousseau)
Philosophy
The Messiah of the Cylinder
Emanuel, V. R. (Victor Rousseau)
Science fiction
The first man laid his hand on my shoulder. “I am Air-Admiral Hancock,”
he said. “You are to accompany me to Boss Lembken.”
I went with him across the bridge into a doorway set in the west side of
the Temple building. I expected again to see the vast interior beneath
me, but we entered a narrow corridor and stepped into a small automatic
elevator. In a moment we had shot up and halted inside the Palace
entrance. Hancock opened the door of the cage.
We were standing in a spacious hall, bare, save for the hanging
tapestries and heavy Persian rugs on the mosaic floor. It was half dark,
and there was a perfume that made my head swim. Before the curtained
aperture opposite us stood a negro boy, with a Ray rod in his hand. As
we approached he threw the curtain aside and saluted us.
There were soft solar lights in the next room, which was rose-red, and
decorated and furnished in the style of Louis Quatorze. Another negro
stood in the doorway opposite; he, too, saluted and threw the curtain
back.
The third room was enameled in blue. The blue lights gave it an
unearthly aspect, which was increased by the baroque style of its
ornamentation. The perfume was stronger.
The negro at the door of the fourth room was a giant. He wore the
uniform of an eighteenth century grenadier. His scarlet coat and white
pigtail formed vivid spots against the dull-gold curtain. The room
within was dark. We waited on the threshold.
At first I could see nothing. Then, gradually, the outlines of the room
came into sight. There were low divans and rugs, and mirrors on every
wall multiplied them. I heard a rasping sound, and a blotch of crimson
and green became a brilliant macaw that scraped its way with its sharp
claws from end to end of a horizontal perch. Behind it I now saw the
white gleam of Lembken’s robe; then the couch on which he lay; then the
girl who crouched, fanning him, at his feet; then the rotund form of the
old man, the sharp eyes and the heavy jowl with the pendulous cheeks.
“I have executed your orders, Boss,” said the Air-Admiral.
The old man rose upon his feet heavily and came puffing up to us. His
heavy soft hands wandered about my robes, patting me here and there,
while he puffed and snorted like some sea monster.
“You haven’t a knife or a Ray rod?” he inquired suspiciously. “You
haven’t anything to harm me? I am an old, weak man. I am the people’s
friend, and yet many want to kill me.”
He seemed to satisfy himself with the result of his inspection, and
withdrew to his couch, picking up a Ray rod and resting it across his
knee.
He dismissed Hancock and the girl. She rose to her feet briskly, with a
mechanical smile. She was about twenty years old, it seemed to me, but
there was a hardness and cruelty about her mouth that shocked me, and
the soul behind the mask of youth seemed centuries old.
Public-domain text, read in full here on John Shaqi.
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