The Messiah of the CylinderEmanuel, V. R. (Victor Rousseau)
Philosophy
The Messiah of the Cylinder
Emanuel, V. R. (Victor Rousseau)
Science fiction
I groped for reality in this succession of bewildering scenes, and
hardly found it. Rain began to fall, spattering on the crystal walls of
the adjacent gardens, in which the flickering colored lights still
twinkled. My face was wet with it. I was thinking of the old days, when
life was free: Sir Spofforth’s rain-swept garden, the scent of Esther’s
tea-roses, and the hum of the ungainly, noisy town of Croydon that last
evening. I saw Esther’s face vividly upon the velvet screen of the
night.
Elizabeth’s hand stole into mine.
“You are our hope, Arnold. You can inspire us to victory,” she
whispered.
Jones had gotten the scoutplane ready, and the vessel now rested on the
flat roof, as a bird on its perching place. It was a little craft, even
smaller than my memory of it had been, and it carried no Ray shield to
betray its presence. Jones drew David aside and held a whispered
colloquy with him.
“We are about ready,” he said, as they came back to us. “I’ve shifted
the searchlight to the rear socket to balance the extra weight. She’ll
carry us. I’ll have time to take you to your destination and report for
scout duty when Hancock comes the round. But if I fly with the
searchlight showing, any of the planes may signal me to stop—”
He rubbed his chin, and the old irresolution came upon his face.
“If I fly dark it’s a leather vat offense,” he added. “And the
battleplanes would fire on us.”
He paused and rubbed his chin again.
“I’ll fly dark,” he said, and so settled the matter firmly in his own
mind. And, his mind thus made up, I knew nothing would change it.
There was some difficulty in disposing of us. Finally Jones placed us
three in the double seat, Elizabeth in the center and David and I on
either side of her. He himself squatted upon the chassis before us, the
wheel in his hands. He touched the starting lever with his right foot,
and the craft rose heavily into the air, straining beneath her burden.
In spite of the counterbalance of the searchlight behind, the nose of
the plane dipped constantly, so that our flight was a succession of
abrupt ascents and declinations.
It was freezing cold up in the air. Gradually we ascended, till I felt
the fresh wind from the Thames estuary beat on my face. Presently the
south was cleft by flaming serpents, with eyes of fire.
“The food airvans from France,” said David, pointing.
Now we soared over the outlying factories and warehouses. A huge,
glow-painted building sprang into view out of the shadows below.
“The defectives’ workshops for this district,” David continued. “Yonder
is the Council’s art factory.”
The darkness in front of us began to be studded with long parallelograms
of dazzling glow, set at wide intervals, each capped with the conical
Ray guns. From these, extending fanwise toward the ground, appearing
pink in contrast with the glow’s intensely purple white, the
searchlights wavered.
Public-domain text, read in full here on John Shaqi.
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