The Metaphysic of Christianity and Buddhism: A SymphonyStrong, D. M. (Dawsonne Melanchthon)
Religion
The Metaphysic of Christianity and Buddhism: A Symphony
Strong, D. M. (Dawsonne Melanchthon)
Buddhism; Christianity; Christianity and other religions -- Buddhism
Innumerable figures of speech have been brought into requisition
to convey to the imagination the import of the terms "Heaven" and
"Nirvana." None of these, taken either separately or collectively, can
be held to include all that is indicated by the above expressions.
To speak of reaching Heaven, or Nirvana, is somewhat misleading; no
measurement of space is applicable to them; no phenomenal expression in
itself will pass muster.
A later and more material aspect of heaven, known as the Western
Paradise, and only referred to, I think, in the Mahāyana, has been
provided, it would seem, for the satisfaction of those who require a
temporary halting-place for thought before moving on to more abstract
conceptions. This heaven is illustrated with all those inimitable
colours and touches which oriental inventiveness uses with such
alluring effect. It is naïvely located ten millions of miles to the
west.
There, in a light that never was on land or sea, where lotus flowers of
every imaginable hue vie with each other to cluster at his holy feet,
sits enthroned the Buddha of Infinite Light, the Compassionate, the
Perfect One.
The sweet radiance of his pitying smile pervades the heavens for
thousands of leagues. The beautiful expressions of his countenance
cannot be numbered, for they are as countless as the sands of Gunga's
sacred stream; nor can his compassion be measured--it is illimitable
as a shoreless ocean. The magical grace of his form is compared to
the "moon on high when she marches full-orbed" through the unclouded
expanse of the Empyrean. If ever so "gentle a zephyr blows amid
the trees," the atmosphere vibrates with all delicate and enticing
melodies. The voices of the Devas are heard chanting his praises. An
aerial choir, the birds of Paradise, answer back with antiphons of
rapturous song as they soar above in the gilded air which fills the
pavilions of the Blest. Such, and much more, is the "Pure Land," the
land of Amita, the Buddha of Infinite Light.
The introduction into the picture of pavements of gold, crystal
streams, precious stones, jewels, and many of the paraphernalia which
the pageantry of this nether world demands for its embellishment brings
to remembrance the splendours enshrined in that final revelation of
things to be, which was delivered to man in the person of St. John the
Divine.
Nirvana has been called "The Imperishable," "The Infinite," "The
Eternal," "The Everlasting," "The Transcendent," "The Serene," "The
Formless," "The Goal," "The Other Shore," "Rest," "The True," or
"The Truth." It has been compared to an "island which no flood can
overwhelm," to a "City of Peace," "The Jewelled Realm of Happiness,"
"An Escape from the Evil One."[AL] For the Christian Heaven, in like
manner, a great variety of metaphors abounds.
[AL] Taken from _Buddhism and its Christian Critics_, by Paul Carus.
Public-domain text, read in full here on John Shaqi.
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