And then, in the evening, came Mrs. de Graffenried’s opening
entertainment, which was one of the great events of the social year. In
the general rush of things Montague had not had a chance properly to
realize it; but Reggie Mann and Mrs. de Graffenried had been working
over it for weeks. When the Montagues arrived, they found the Riverside
mansion—which was decorated in imitation of an Arabian palace—turned
into a jungle of tropical plants.
They had come early at Reggie’s request, and he introduced them to Mrs.
de Graffenried, a tall and angular lady with a leathern complexion
painfully painted; Mrs. de Graffenried was about fifty years of age,
but like all the women of Society she was made up for thirty. Just at
present there were beads of perspiration upon her forehead; something
had gone wrong at the last moment, and so Reggie would have no time to
show them the favours, as he had intended.
About a hundred and fifty guests were invited to this entertainment. A
supper was served at little tables in the great ball-room, and
afterward the guests wandered about the house while the tables were
whisked out of the way and the room turned into a play-house. A company
from one of the Broadway theatres would be bundled into cabs at the end
of the performance, and by midnight they would be ready to repeat the
performance at Mrs. de Graffenried’s. Montague chanced to be near when
this company arrived, and he observed that the guests had crowded up
too close, and not left room enough for the actors. So the manager had
placed them in a little ante-room, and when Mrs. de Graffenried
observed this, she rushed at the man, and swore at him like a dragoon,
and ordered the bewildered performers out into the main room.
But this was peering behind the scenes, and he was supposed to be
watching the play. The entertainment was another “musical comedy” like
the one he had seen a few nights before. On that occasion, however,
Bertie Stuyvesant’s sister had talked to him the whole time, while now
he was let alone, and had a chance to watch the performance.
This was a very popular play; it had had a long run, and the papers
told how its author had an income of a couple of hundred thousand
dollars a year. And here was an audience of the most rich and
influential people in the city; and they laughed and clapped, and made
it clear that they were enjoying themselves heartily. And what sort of
a play was it?
Public-domain text, read in full here on John Shaqi.
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