On one side of the house lay an orderly garden of vegetables and berry-bearing shrubs; the yard itself was in reality an orchard of fruit trees, some warmed by the very walls; under the shed there were beegums alive with the nectar builders; along the garden walks were frames for freighted grape-vines. The work of regeneration had been pushed beyond the limits of utilitarianism over into a certain crude domain of aesthetics. On one front window-sill what had been the annual Christmas box of raisins had been turned into a little hot-bed of flowering plants; and under the panes of glass a dense forest of them, sun-drawn, looked like a harvest field swept by a storm. On the opposite window ledge an empty drum of figs was now topped with hardy jump-up-johnnies. It bore some resemblance to an enormous yellow muffin stuffed with blueberries. In the garden big-headed peonies here and there fell over upon the young onions. The entire demesne lay white and green with tidiness under yellow sun and azure sky; for fences and outhouses, even the trunks of trees several feet up from the ground, glistened with whitewash. So that everywhere was seen the impress and guidance of a spirit evoking abundance, order, even beauty, out of what could so easily have been squalor and despondent wretchedness. This was the home of Pansy Vaughan; and Pansy was the explanation of everything beautiful and fruitful, the peaceful Joan of Arc of that valley, seeing rapt visions of the glory of her people. In the plain upper room of the plain brick house, on her hard white bed with her hard white thoughts, lay Pansy--sleepless throughout the night of Marguerite's ball. The youngest of the children slept beside her; two others lay in a trundle-bed across the room; and the three were getting out of sleep all that there is in it for tired, healthy children. In the room below, her father and the eldest boy were resting; and through the rafters of the flooring she could hear them both: her father a large, fluent, well-seasoned, self-comforting bassoon; and her brother a sappy, inexperienced bassoon trying to imitate it. Wakefulness was a novel state for Pansy herself, who was always tired when bedtime came and as full of wild vitality as one of her young guineas in the summer wheat; so that she sank into slumber as a rock sinks into the sea, descending till it reaches the unstirred bottom.