It will be seen that the Latin and French versions do not correspond
exactly with the English text, the French in particular being a mere
paraphrase of it, but this was, no doubt, largely due to the exigencies
of the rime. The French text has ten stanzas as against nine in the
English poem, and the Latin has eleven, the additional stanzas being an
expansion of the theme after the manner of Anglo-Latin poems of the
kind. It is evident both from the variant attempts at expansion of the
text in the Latin and French, and from the greater freshness and more
skilful use of the play on the word _erthe_ of the English text, that
the latter is the original, and this supports the view already expressed
(Introd. p. xxxiii) as to the relation of the English and Latin versions
in MS. Harl. 913. It is improbable, at least, that the _Erthe upon
Erthe_ poems should all be derived from two Latin poems, the differences
between which are too great to admit of a common original, but which
were both translated into English verse, and became, in course of time,
modified and popularized. On the other hand, the fact that one
fourteenth-century poem of the kind had been supplied with a Latin
rendering might easily account for an attempt at Latin and French
translations in the case of a second, and there seems to be reason for
believing that the author of the latter text was acquainted with the
poem in MS. Harl. 913. As has been already noted in the Introduction
(p. xxxii), the first line of the English version corresponds in idea
with that of the text in MS. Harl. 913:
Whan erþ haþ erþ iwanne wiþ wow.
and in actual wording with that of the _Song on the Times_:
When erthe hath erthe i-gette.
Public-domain text, read in full here on John Shaqi.
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