The Middle Kingdom, Volume 1 (of 2): A Survey of the Geography, Government, Literature, Social Life, Arts, and History of the Chinese Empire and its InhabitantsWilliams, S. Wells (Samuel Wells)
History
The Middle Kingdom, Volume 1 (of 2): A Survey of the Geography, Government, Literature, Social Life, Arts, and History of the Chinese Empire and its Inhabitants
Williams, S. Wells (Samuel Wells)
China
Four flights of nine steps each lead from this elevation to the next
lower stage, where are placed tablets to the spirits of the sun, the
moon, the stars, and the Year God. On the ground at the end of the
four stairways stand vessels of bronze in which are placed the bundles
of cloth and sundry animals constituting part of the sacrificial
offerings. But of vastly greater importance than these in the matter of
burnt-offering is the great furnace, nine feet high, faced with green
porcelain, and ascended on three of its sides by porcelain staircases.
In this receptacle, erected some hundred feet to the south-east of the
altar, is consumed a burnt-offering of a bullock--entire and without
blemish--at the yearly ceremony. The slaughter-house of the sacrificial
bullock stands east of the North Altar, at the end of an elaborate
winding passage, or cloister of 72 compartments, each 10 feet in length.
Separated from the Altar to Heaven by a low wall, is a smaller though
more conspicuous construction called _Ki-kuh Tan_, or ‘Altar of Prayer
for Grain.’ Its proportions and arrangement are somewhat similar
to those of the South Altar, but upon its upper terrace rises a
magnificent triple-roofed, circular building known to foreigners as the
‘Temple of Heaven.’ This elaborate house of worship, whose surmounting
gilded ball rests 100 feet above the platform, was originally roofed
with blue, yellow and green tiles, but by Kienlung these colors were
changed to blue. When, added to these brilliant hues, we consider
the richly carved and painted eaves, the windows shaded by venetians
of blue-glass rods strung together, and the rare symmetry of its
proportions, it is no exaggeration to call this temple the most
remarkable edifice in the capital--or indeed in the empire. The native
name is _Ki-kien Tien_, or ‘Temple of Prayer for the Year.’ In the
interior, the large shrines of carved wood for the tablets correspond
to the movable blue wooden huts which on days of sacrifice are put
up on the Southern Altar. Here, upon some day following the first of
spring (Feb. 6), the Emperor offers his supplications to Heaven for a
blessing upon the year. In times of drought, prayer for rain is also
made at this altar, the Emperor being obliged to proceed on foot, as a
repentant suppliant, to the ‘Hall of Penitent Fasting,’ a distance of
three miles. A green furnace for burnt-offerings lies to the south-east
of this, as of the North Altar; while in the open park not far from the
two and seventy cloisters are seven great stones, said to have fallen
from heaven and to secure good luck to the country.
Public-domain text, read in full here on John Shaqi.
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