The Middle Kingdom, Volume 1 (of 2): A Survey of the Geography, Government, Literature, Social Life, Arts, and History of the Chinese Empire and its InhabitantsWilliams, S. Wells (Samuel Wells)
History
The Middle Kingdom, Volume 1 (of 2): A Survey of the Geography, Government, Literature, Social Life, Arts, and History of the Chinese Empire and its Inhabitants
Williams, S. Wells (Samuel Wells)
China
About two miles from the _Tí Tan_, in a northerly direction, passing
through one of the ruined gates of the Peking of Marco Polo’s time on
the way, is found the _Ta-chung sz’_, or ‘Bell Temple,’ in which is
hung the great bell of Peking. It was cast about 1406, in the reign of
Yungloh, and was covered over in 1578 by a small temple. It is 14 feet
high, including the umbones, 34 feet in circumference at the rim, and 9
inches thick; the weight is 120,000 lbs. av.; it is struck by a heavy
beam swung on the outside. The Emperor cast five bells in all, but this
one alone was hung. It is covered with myriads of Chinese characters,
both inside and out, consisting of extracts from the _Fah-hwa King_ and
_Ling-yen King_, two Buddhist classics. In some respects this may be
called the most remarkable work of art now in China; it is the largest
suspended bell in the world. A square hole in the top prevents its
fracture under the heaviest ringing.[34]
[Illustration: MONUMENT, OR TOPE, OF A LAMA. HWANG SZ’, PEKING.]
A short distance outside the northern gate, _Tah-shing Măn_, is an
open ground for military reviews, and near it a Buddhist temple of
some note, called _Hwang sz’_, containing in its enceinte a remarkable
monument erected by Kienlung. In 1779 the Teshu Lama started for Peking
with an escort of 1,500 men; he was met by the Emperor near the city
of Sí-ning in Kansuh, conducted to Peking with great honor, and lodged
in this temple for several months. He died here of small-pox, November
12, 1780, and this cenotaph of white marble was erected to his memory;
the body was inclosed in a gold coffin and sent to the Dalai Lama at
Lhassa in 1781. The plinth of this beautiful work contains scenes in
the prelate’s life carved on the panels, one of which represents a lion
rubbing his eyes with his paw as the tears fall for grief at the Lama’s
death.
~SUMMER PALACE AT YUEN-MING YUEN.~
The Summer Palace at _Yuen-ming Yuen_ lies about seven miles from the
north-west corner of Peking, and its entire circuit is reckoned to
contain twelve square miles. The country in this direction rises into
gentle hills, and advantage has been taken of the original surface
in the arrangement of the different parts of the ground, so that the
whole presents a great variety of hill and dale, woodlands and lawns,
interspersed with pools, lakes, caverns, and islets joined by bridges
and walks, their banks thrown up or diversified like the free hand of
nature. Some parts are tilled, groves or tangled thickets occur here
and there, and places are purposely left wild to contrast the better
with the cultivated precincts of a palace, or to form a rural pathway
to a retired temple or arbor. Here were formerly no less than thirty
distinct places of residence for various palace officials, around
which were houses occupied by eunuchs and servants, each constituting
a little village.
Public-domain text, read in full here on John Shaqi.
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