Middle West -- Fiction; Real estate developers -- Fiction; Suburbs -- Fiction
She stopped him; informing him that she’d long since heard more than
enough about “a few years from now”; whereupon, being full of the
subject, he went down to the library to tell his father and mother what
was inevitable within a few years. No skepticism dampened his library
prophecies now; Harlan was no longer there to listen, staring with dry
incredulity through his glasses.
Harlan had not sold Mrs. Savage’s old house, but had moved into it, and
kept as precise a routine there as she had kept, and with the same
servants. He had two bedrooms upstairs made into a library, but changed
nothing on the lower floor; and often the old lady seemed still to be
there in authority. At twilight, before Nimbus lit the electric table
lamp in the “south front parlour,” the room to which she had always
descended from her afternoon nap, it was not difficult to imagine that
she was sitting in the stiff chair beside the plate-glass window. Of
course Nimbus believed that he saw her there when he came in to light
the lamp; and he often mumbled to her—always upon the same theme. He
was grateful for the one hundred and thirty-five dollars she had left
him, but considered the sum inadequate.
“No’m, indeed,” he said to the figure he saw in the stiff chair. “I
thank you kindly, but didn’ I used you right all my days? How much it
cost you slip down ten hunderd thirty-five on that paper, ’stead of one
hunderd thirty-five? _You_ ain’t got it, are you? Ain’t doin’ _you_ no
good, do it? No’m, indeedy! ’Tain’t no use you bein’ sorry, neither.
Make all the fuss you want to; you too late; nobody ain’t goin’ pay no
’tention to you!”
And in the kitchen he would discuss the apparition with his fourth wife,
the fat cook, Myrtle. “Look to me like she can’t keep away,” he would
say. “Set there same as ever. Set up straight in that stiff chair. See
her plain as I see you, till I git that lamp lit.”
“Landy me, Nimbus, I wouldn’ go in that room unlessen the light bright
as day if you give me trottin’ horse an’ gole harniss! How you keep from
hollerin’?”
At this the tall, thin old fellow would laugh without making a sound;
deep wrinkles in the design of half of a symmetrical cobweb appearing on
each side of his face. Some profoundly interior secret of his might have
been betrayed, it seemed, if he had allowed his merriment to become
vocal; and this noiseless laugh of his awed his wife in much the same
way, no doubt, that the laugh of a jungle witch-doctor ancestor of his
had awed wives not unlike Myrtle. “She ain’t goin’ bother me ner you,”
he explained. “She ain’t settin’ there ’count o’ me ner you. She settin’
there ’cause she so mad.”
“Who? Who she mad at?”
“Mad at somep’m!” Nimbus would say, and, becoming less uncomfortably
mystic might allow a human chuckle to escape him. “Set there mad long as
she want to; ’tain’t goin’ do her no good. She ain’t _fixed_ to make no
changes now!”
Public-domain text, read in full here on John Shaqi.
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