The Milkmaid of Montfermeil (Novels of Paul de Kock Volume XX)Kock, Paul de
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The Milkmaid of Montfermeil (Novels of Paul de Kock Volume XX)
Kock, Paul de
France -- Fiction; French fiction -- Translations into English
"This affair will make a great sensation! The marquis has promised to
mention it at court; there's a poet here, who's a newspaper man too, and
he tells me that my name will appear in an article of at least a column!
My name in an article a column long! The deuce! how popular I shall be!
When Destival can give a dinner like mine, I'll agree that he can call
himself somebody. Poor creatures! they are dying of envy, and I'm glad
of it!"
At half-past six the company repaired to the dining-room, where the
table was laid with forty covers. Monsieur Destival was seated at the
lower end, between a child of six and an old deaf gentleman. He
swallowed the affront, with a glance at his wife; and their eyes
exchanged a meaning look in which they seemed to promise themselves a
sweet revenge.
The soup had just been removed, when an uproar, evidently occasioned by
people quarrelling, arose in the adjoining room.
"What does this mean? Lafleur! Jasmin! Who dares to make a disturbance
in my house?" exclaimed Monsieur de la Thomassinière, calling his
servants. "Send away all visitors; I am not at home to anyone; if a gold
ingot should be brought to me, I wouldn't accept it now."
The servants seemed embarrassed, as if they dared not reply. Meanwhile
the noise continued, and they could distinguish a woman's voice crying:
"I will go in! I tell you I'm bound to go in!"
"Have that canaille turned out of doors, Lafleur," said Monsieur de la
Thomassinière angrily.
At that moment the dining-room door was violently thrown open, and a
woman of some sixty years, short and stout, with a good-humored face,
dressed like an orange-woman, with a round cap on her head, bounced into
the room.
"Hoity-toity!" she cried; "it'd be a pretty good one if I couldn't get
into my own son's house! What a set of donkeys them fellows be! Excuse
me, messieurs and mesdames. Where be you, Thomas? Why don't you come and
gimme a kiss, my boy? Don't you know your old mother?"
The changes of scene at the Opéra are less rapid than those that took
place in that dining-room upon Mère Thomas's entrance. Monsieur de la
Thomassinière was stupefied; it was as if he had been struck by a
thunderbolt and was unable to move a muscle or utter a word. The
resplendent Athalie turned pale, was evidently confused, and glanced at
Mère Thomas with an expression indicating that she still doubted the
truth of what she heard. On each guest's face could be read the
amazement caused by this unexpected scene, together with a touch of
irony and malicious satisfaction, which fell far short, however, of what
Destival and his wife felt at that moment.
Mère Thomas, who took no notice of the demeanor of the guests,
recognized her son among the persons seated at the table, and ran to
him, saying:
"There he is! I know him! That's him--that's my Thomas! Oh! it's him
fast enough--with his little mole under the left eye!--You ain't changed
so much, my boy.--Well, why don't you kiss me? Can't you move hand or
foot?"
Public-domain text, read in full here on John Shaqi.
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