The Milkmaid of Montfermeil (Novels of Paul de Kock Volume XX)Kock, Paul de
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The Milkmaid of Montfermeil (Novels of Paul de Kock Volume XX)
Kock, Paul de
France -- Fiction; French fiction -- Translations into English
But, when it came Auguste's turn to kiss Mademoiselle Suzanne Tapotte,
that young woman, despite her ingenuousness, raised her eyes, and a
little shriek escaped her when she recognized the young man.
"I am very awkward," said Auguste instantly, "to tread on your foot! I
beg your pardon, fair fiancée!"
"Oh! was that what made her cry?" said Cadet, laughingly; "when anyone
treads on the feet of our girls about here, they don't yell; they know
what it means. They ain't like Suzanne! By the way, monsieur, uncle says
you make portraits; do you make faces too?"
"What do you suppose that I make?"
"Why, I mean a head, with eyes and a nose, et cetera."
"I generally find nothing else to paint."
"Pardi, monsieur, if you had time to catch the likeness of my bride,
just the face alone, I'd like it mighty well."
"I haven't anything but my pencils in my valise, but I can try to draw
her."
"Draw her! Will that be just the same?"
"To be sure."
"Mademoiselle Suzanne Tapotte, monsieur is going to make your portrait;
he's going to catch you."
The bride made some objection to allowing herself to be drawn; but
Monsieur Cadet was obstinate about it, and she finally consented to lend
her face to Auguste, who asked for a room where he could work quietly
and without being disturbed.
He was taken to a small room at the top of the house and furnished with
all that he required. Monsieur Cadet brought his fiancée, who seated
herself, with downcast eyes, beside the table at which Auguste was
working. Monsieur Cadet was preparing to watch the process of catching
his charmer's likeness when Auguste said to him:
"I am very sorry to send you away, but I cannot draw before anybody. If
you want your wife's portrait, you must leave me alone with her; indeed,
that is the custom; a painter doesn't like to have anyone see his work
before it's finished."
"Oh, yes, that's right," said Cadet; "and then, if I watched you, I
wouldn't have any surprise."
"That's so."
"All right, I'll go away. You needn't be afraid to stay alone with
monsieur, Mamzelle Tapotte; he's an artist--he's going to catch you and
surprise me. Ah! how nice that'll be!"
Mademoiselle Tapotte smiled without raising her eyes, and Monsieur Cadet
left her alone with Auguste, while he went to oversee all the
preparations for the wedding.
Bertrand was already at table with Père Rondin. They were soon joined by
several farmers of the neighborhood. Neighbors, male and female, kindred
and friends came to take up their quarters under Eustache's roof on the
day before the wedding. Long tables were laid and covered with dishes
and pitchers. They laughed and sang and shrieked and made a great
uproar, for the hilarity of the peasant is exceedingly noisy. It seemed
as if the wedding festivities had already begun; and Bertrand, who found
the wine excellent and did not notice among the village girls any faces
likely to inflame his master, concluded that they might safely pass a
week at the farm.
Public-domain text, read in full here on John Shaqi.
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