The Milkmaid of Montfermeil (Novels of Paul de Kock Volume XX)Kock, Paul de
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The Milkmaid of Montfermeil (Novels of Paul de Kock Volume XX)
Kock, Paul de
France -- Fiction; French fiction -- Translations into English
"Didn't I tell you my nephew was a sly one, and that it's a sort of
rosière, as you might say, that he's brought from Paris?"
Auguste added his congratulations to those of the other guests. At
daybreak, weary of dancing and eating, he went to bed, leaving the
dauntless Bertrand to hold his own with three farmers, two of whom were
all ready to slide under the table.
Auguste and his faithful companion passed the week of the wedding
festivities at Monsieur Eustache's farm; and during that time the bride
gave the young man several more sittings, for she always found something
to change in her nose or her eye or her ear.
At the end of the week the travellers resumed their journey, not without
an invitation from Monsieur Cadet to repeat their visit.
"_Beati pauperes spiritu!_" said Auguste as they left the farm. To which
Bertrand replied:
"Yes, lieutenant. Here is one place at all events where you have behaved
yourself."
XXIV
A SKETCH OF ITALY
Auguste and Bertrand arrived at Turin, undelayed by any fresh adventure.
They took rooms at a modest hotel, for, before continuing their journey,
Auguste desired to make the acquaintance of that pleasant Italian city,
where one may fancy oneself in France, and where reigns an attractive
mixture of French manners and Italian morals. The ladies of Turin are
pretty, agreeable and piquant; in addition to the charm of our
Frenchwomen they have more fire in their glance, a more sensuous
intonation to the voice, more abandon in their bearing. Bertrand,
observing that his master gazed persistently at the Italian women, said
to him again and again:
"Look out, lieutenant; we are travelling in search of fortune and not of
conquests; we didn't come to Italy to admire black eyes and Greek
noses."
"True, Bertrand; but as we find them here, there's no reason why we
shouldn't admire them."
"Remember, monsieur, that the fine arts alone are to occupy your mind."
"The sight of a lovely woman kindles the flame of genius. Raphael was in
love with his Madonna model."
"Perhaps that wasn't the best thing he did, lieutenant."
"Bertrand, you understand nothing about art."
"Perhaps not, but I know enough about it to calculate."
"I want to paint one of these charming heads that have caught my eye; I
want to take for a model one of the piquant faces that I notice among
the girls of this region."
"In that case you will do like Monsieur Raphael, you will fall in love
with your model."
"So much the better, if it results in my producing a chef-d'oeuvre."
"I'm afraid that it will result in your producing something else."
"Have you heard them sing, Bertrand?"
"Who, monsieur?"
"The young girls in the suburbs, the villagers, the simple
working-girls; they all sing with such taste and harmony! I hear
delightful concerts every evening when I am walking. We are in the land
of music, my friend."
"I should prefer to be in the land of gold mines."
Public-domain text, read in full here on John Shaqi.
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