Let us first remark, that if we do not perceive this wave, yet it must contain all we know of the external object, for it is evident that we only know of it that part of its properties which it transmits to our nerves and our nerve centres. All the known substance of the external object is, then, implied in this vibration; it is there, but it is not there by itself. The vibration is the work of two collaborators; it expresses at once the nature of the object which provokes it, and the nature of the nerve apparatus which transports it, as the furrow traced in the wax of the phonograph implies the joint action of an aerial vibration with a stylus, a cylinder, and, a clock-work apparatus. I therefore suppose--and this is, I say it plainly, but an hypothesis--that if the nervous vibration so little resembles the external excitant which generates it, it is because the factor nervous system superadds its effect to the factor excitant. Let us imagine, now, that we have managed to separate these two effects, and we shall understand that then the nervous event so analysed might resemble only the object, or only the nervous system. Now, of these two effects, one is constant, that one which represents the action of the nervous system; there is another which varies with each new perception, and even with every moment of the same perception--that is to say, the object. It is not impossible to understand that the consciousness remains deaf to the constant and sensitive to the variable element. There is a law of consciousness which has often been described, and fresh applications of which are met with daily: this is, that the consciousness only maintains itself by change, whether this change results from the exterior by impressions received, or is produced from the interior by movements of the attention. Let us here apply this empirical law, and admit that it contains a first principle. It will then be possible for us to understand that the consciousness formed into a dialyser of the undulation may reject that constant element which expresses the contribution of the nervous system, and may lay bare the variable element which corresponds to the object: so that an intestinal movement of the cerebral substance, brought to light by this analytical consciousness, may become the perception of an object. By accepting this hypothesis, we restore to the sensory nerves and to the encephalic centres their property of being the substrata of representation, and avoid the objection made above against materialism and parallelism, that they did not explain how a cerebral movement, which is material, can engender the perception of an object which differs greatly from it and is yet as material as the movement itself. There is not here, properly speaking, either generation, transformation, or metamorphosis. The object to be perceived is contained in the nerve current. It is, as it were, rolled up in it; and it must be made to go forth from the wave to be seen. This last is