The 'Mind the Paint' Girl: A Comedy in Four ActsPinero, Arthur Wing
General
The 'Mind the Paint' Girl: A Comedy in Four Acts
Pinero, Arthur Wing
Comedy plays; English drama
[_Returning to him, with an air of prudence._] I tell you what I
_will_ do. [_Pointing to the writing-table._] Scribble her a note--
a line-- and I'll give it to her. That won't attract attention. I've
no objection to do _that_ for you. Hurry up! [_He sits at the
writing-table and searches for writing materials._] In the drawer.
[_He opens a drawer and takes out a sheet of note-paper. Standing at
the other side of the table, she selects a pen and hands it to him._]
A "J" suit you?
FARNCOMBE.
[_Taking the pen from her._] What shall I say?
JIMMIE.
Ho, ho! Well, I _never_! [_He writes._] Oh, but it isn't exactly a
love-letter, is it? Simply say-- what was the expression you used just
now?-- "will you allow me to remain behind for a few minutes with Miss
Birch after the others have gone?"
FARNCOMBE.
[_Writing._] Thank you.
JIMMIE.
[_With a little wriggle._] Call me Jimmie if you like.
FARNCOMBE.
Thank you.
JIMMIE.
[_Knitting her brow thoughtfully._] I suppose you ought to give her an
inkling, though-- the merest hint-- of the _reason_, oughtn't you?
FARNCOMBE.
[_Looking up._] Ought I?
JIMMIE.
Well, you don't want her to think it's only to chat about the
weather----!
FARNCOMBE.
For heaven's sake, don't chaff me! [_writing_] "--after the others
have gone?" [_Biting his pen._] How would this do? "I know I am
presuming a lot, but I-- I can't leave you-- I can't leave you till
I-- till I have asked you-- till I have asked you the most important
question a man can put to a woman."
JIMMIE.
Oh, but that's ideal! [_GABRIELLE reappears._] Dash these girls! [_To
GABRIELLE, whose complexion is much improved._] Lord Farncombe is
writing me out a remedy for freckles. Isn't it sweet of him?
GABRIELLE.
[_Mournfully._] Freckles! If you want to see a martyr to freckles,
knock at _my_ door.
[_ENID returns, with lips that are a little too red, as VON
RETTENMAYER and DE CASTRO re-enter at the door on the left. They leave
the door open. VON RETTENMAYER is carrying a syphon of soda-water and
DE CASTRO two tumblers. The men put the syphon and tumblers on the
centre table and VON RETTENMAYER fills the glasses and he and DE
CASTRO hand them to ENID and GABRIELLE._
VON RETTENMAYER.
[_To ENID and GABRIELLE._] I hobe we haf nod kepd you waiding.
DE CASTRO.
Bertie'th been makin' himthelf a reg'lar nuithanthe downthairth.
ENID.
Poor Bertie! Pity he has this little failing.
GABRIELLE.
[_With mild enthusiasm._] Yes, there's not a nicer boy in London than
Bertie, bar that.
DE CASTRO.
Flieth to hith head tho!
[_The four continue talking. JIMMIE has gone back to FARNCOMBE, who is
still writing, and is watching him impatiently._
JIMMIE.
[_To FARNCOMBE, under her breath._] Do be quick!
[_Hastily he blots his note and folds it. BLAND, FULKERSON, and ROPER
appear on the landing, issuing from the staircase, and there they are
joined by LILY, who comes down the stairs._
FULKERSON.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account