The 'Mind the Paint' Girl: A Comedy in Four ActsPinero, Arthur Wing
General
The 'Mind the Paint' Girl: A Comedy in Four Acts
Pinero, Arthur Wing
Comedy plays; English drama
[_Bustling to LILY._] I didn't mean to, but I fell off. [_Unhooking
LILY'S dress._] It _was_ the front-door I 'eard a minute ago, then? It
gave me sech a start. [_In difficulties with the hooks._] Turn more to
the light, dearie. These dressmakers do it a' purpose, I b'lieve. The
'ooks on that noo gown o' mine are a perfect myst'ry. Wot's _this_?
LILY.
[_Twisting her body._] Oh, don't fiddle so, mother!
MRS. UPJOHN.
You _did_ let 'im stay a time, Lil. 'Eaps to talk over, eh?
LILY.
[_Stonily._] Heaps. [_Trying to assist MRS. UPJOHN._] Oh----!
MRS. UPJOHN.
Well, dear; well, well! Tell me wot's took place. Don't keep me in
suspense.
LILY.
I shan't tell you anything, mother, till I've had a sleep. I must go
through the sheets first. [_Stamping her foot._] Oh, tear the thing;
tear it!
MRS. UPJOHN.
'Ave you consented to make 'im 'appy, poor young gentleman? That's all
I want to know, Lil. [_Overcoming a hook._] There!
LILY.
Thank you, mother. [_Slipping her arms out of her dress._] I can
manage the rest.
MRS. UPJOHN.
But, Lil, dearie----!
LILY.
Oh, for mercy's sake, leave me alone! [_Violently._] Why can't you
leave me alone!
MRS. UPJOHN.
Ho! Very good! [_Moving away indignantly as LILY, with shaking
fingers, unfastens a necklace._] _This_ is my reward for layin' awake
'alf the night, is it, an' for thinkin' of you, an' wonderin' about
you! Ungrateful little puss, you! [_Going towards the door._] After
this, you can keep your affairs to yourself for as long as ever you
choose. Don't you expect _me_----!
LILY.
[_Suddenly, sitting upon the settee._] Mother----!
MRS. UPJOHN.
[_Sharply._] Yes?
LILY.
[_Her hand to her brow._] Oh, mother----!
MRS. UPJOHN.
[_Hurrying to LILY._] Wot is it?
LILY.
[_Swaying._] At last-- at last----!
MRS. UPJOHN.
At last----?
LILY.
[_Clinging to MRS. UPJOHN._] I'm in love, mother-- I'm in love-- in
love-- in love----!
END OF THE THIRD ACT.
THE FOURTH ACT
_The scene is the same as in the preceding act, but the light outside
is brighter and warmer and in the room is more diffused. On the table
in the centre, placed close to the settee, there is a small tray with
a breakfast of tea and toast upon it. The bedroom door is partly
open._
[_LILY, wan and red-eyed, is lying, propped up by cushions, upon the
settee. A newspaper is on her lap but she is gazing at vacancy. She
is in _neglige_. A dainty morning-robe covers her night-gown, her
bare feet are in slippers, and her hair is in a simple knot. MAUD
is at one of the drawers of the cupboard at the back, engaged in
selecting some articles of _lingerie_, and MRS. UPJOHN, completely
dressed for the day, is sitting in the arm-chair by the centre
table, her face hidden by a newspaper which she is reading.
Presently MAUD shuts the drawer and, carrying the _lingerie_,
comes forward._
MAUD.
[_To LILY._] What frock'll you put on?
LILY.
[_Starting slightly._] Eh?
MAUD.
One of your embroidered muslins, or your Ninon?
Public-domain text, read in full here on John Shaqi.
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