The Minister's Charge; Or, The Apprenticeship of Lemuel BarkerHowells, William Dean
General
The Minister's Charge; Or, The Apprenticeship of Lemuel Barker
Howells, William Dean
Boston (Mass.) -- Fiction; Clergy -- Fiction; Poets -- Fiction
Lemuel heard the voice but not the words. He felt his bag heavy in his
hand as he walked away in the direction the conductor had given him, and
he did not set it down when he stood hesitating in front of the hotel;
it looked like too expensive a place for him, with its stained-glass
door, and its bulk hoisted high into the air. He walked by the hotel,
and then he came back to it, and mustered courage to go in. His bag,
if not superb, looked a great deal more like baggage than the lank
sack which he had come to Boston with; he had bought it only a few days
before, in hopes of going home before long; he set it down with
some confidence on the tesselated floor of cheap marble, and when a
shirt-sleeved, drowsy-eyed, young man came out of a little room or booth
near the door, where there was a desk, and a row of bells, and a board
with keys, hanging from the wall above it, Lemuel said quite boldly
that he would like a room. The man said, well, they did not much expect
transients; it was more of a family-hotel, like; but he guessed they had
a vacancy, and they could put him up. He brushed his shirt sleeves down
with his hands, and looked apologetically at some ashes on his trousers,
and said, well, it was not much use trying to put on style, anyway, when
you were taking care of a furnace and had to run the elevator yourself,
and look after the whole concern. He said his aunt mostly looked after
letting the rooms, but she was at church, and he guessed he should
have to see about it himself. He bade Lemuel just get right into the
elevator, and he put his bag into a cage that hung in one corner of the
hallway, and pulled at the wire rope, and they mounted together. On
the way up he had time to explain that the clerk, who usually ran the
elevator when they had no elevator-boy, had kicked, and they were
just between hay and grass, as you might say. He showed Lemuel into a
grandiose parlour or drawing-room, enormously draped and upholstered,
and furnished in a composite application of yellow jute and red plush
to the ashen easy-chairs and sofa. A folding-bed in the figure of a
chiffonier attempted to occupy the whole side of the wall and failed.
Public-domain text, read in full here on John Shaqi.
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