‘But, my dear,’ said the minister, ‘how can you tell? an Italian heart
may break in music?’
‘Perhaps an Italian heart, but not Lucy Ashton’s,’ said Isabel, a wave
of sudden colour passing over her face. How strange it was, out of this
crown of her happy, peaceful existence to look back on the time when she
had first read about Lucy Ashton, and understood. She was an
uninstructed rustic, and had never heard any music in her life before.
This historian says not a word in support of her way of thinking; but
such was her ignorant opinion, out of the depths of her reticent Scotch
heart, in which there lay so deep a sense of every emotion. It was her
ignorance, no doubt, which suggested it. Anyone who had read the ‘Bride
of Lammermoor’ to her, with the very least power of characteristic
representation, could have played on her as on a delicate instrument;
but she did not know how to understand the other form of the poem. It
bewildered her. She was not in Heaven, but in the most curious
artificial sphere. And then, what was that thing--those two black
motionless glasses, fixed upon her from below? Whose was the turn of the
head that seemed to appear to her behind them--the aspect of the
half-seen figure lost among the crowd? She could not tell; but it all
awoke the strangest thrill of uneasiness in her heart.
‘I should like to go home,’ she whispered to her husband. ‘Who is that
always staring? And the music makes me dizzy. I should like to go home.’
‘Staring, my darling! There are so many people staring,’ said Mr.
Lothian; ‘and I am not surprised,’ he added, looking down upon her with
fond admiration. The speech and the movement brought him forward to the
front of the box. He took no notice of anything else, having his whole
attention fixed upon his wife; but she saw a sudden movement below, and
the direction of the opera-glasses change a little, as if the gaze was
turned on her husband. The sensation to her was as if some dangerous
being in a mask were watching them. And everything was so unreal--those
people on the stage going through what was supposed to be the business
of life in music, and the spectators periodically rousing themselves to
a little paroxysm of frenzy, according to Isabel’s opinion. She had
never seen anything so unreal and so strange; and it might be some enemy
who was watching them for anything she knew----
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account