Isabel had to leave her child behind, which was a novel thing to her,
and very strange it felt to walk away alone through the village and down
the other side of the Loch towards the steep lane that led to Ardnamore.
When she got to the gate, it was the height of the warm languorous
afternoon, and the air and the weariness had soothed her, and brought a
languorous feeling into her heart. She was not excited about Ailie, poor
girl! Isabel, in her own heart, had made out a story for Ailie, setting
her down as a neglected, melancholy wife, with a strange past behind her
and a mysterious future before, no doubt; and yet not so much lifted
beyond the range of ordinary humanity as she had been in the old days.
She expected to be shown into the old-fashioned drawing-room, with its
bright windows looking out on the Loch, and to be joined by the mistress
of the house, when she had waited a while, and to see Ailie’s attempt to
look contented, and to bear herself like the other ladies. As she
approached the house, the garden and everything around looked so
everyday and ordinary, that all that was extraordinary in Ailie’s story
gradually died out of her visitor’s mind. She would be awkward, perhaps,
in her new position; she might not even know how to receive Isabel’s
visit; but, still, no doubt three years of absence and travel had
improved her. And Isabel felt more and more as if she were paying an
ordinary visit, when the maid, who was just like other maids, let her
into the house, which was precisely like other houses. The deerskin mats
at the door, the antlers in the hall, the hats and plaids hanging about,
each took something from her interest. She began to forget Ailie, and
think only of Mrs. Diarmid of Ardnamore.
The drawing-room was a large, light room, rather low in the roof,
furnished with old-fashioned spindle-legged furniture, gilt and painted,
and covered with white covers, to preserve the fading damask below.
Isabel went in with a little gentle curiosity, seeing no one. She moved
a few steps into the room, her eye catching the Indian inlaid work of a
set of writing things upon a table, but not perceiving in the whiteness
of the room a white figure seated just within the curtains at the bay
window, half hidden in the recess. Even when she did perceive her,
Isabel stood uncertain, hesitating whether to go forward or to wait
quietly apart till Ailie should make her appearance. For surely this was
not Ailie--it must be some visitor, some caller---- But a strange sense
of recognition stole over her after the first start. She stood in her
intense blackness and gazed at the unknown being whose appearance was
such a contrast to her own; and then there came at last a faint sound of
a voice: ‘Is it you, Isabel?’
Public-domain text, read in full here on John Shaqi.
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