Canadian fiction; Maine -- Fiction; People with disabilities -- Fiction; Poor -- Fiction
At the table, Pale Face Harry, bronzed and rugged, clear-eyed, a robust
figure from his clean living, his months of the out-of-doors, traced the
grain of the wood on the table mechanically with his finger nail, his
face sober, perplexed; while the Flopper, clear-eyed too, his face
almost a handsome one in its bright alertness, now that it had rounded
out and the hard, premature lines were gone, mirrored Pale Face Harry's
perturbed expression, his eyes fixed anxiously on Madison opposite him;
and Helena, sitting beside Madison, was very quiet, her forehead
wrinkled and pursed up into little furrows, the brown eyes with a hint
of dismay and consternation lurking in their depths, one hand stretched
out to lay quite unconsciously on Madison's sleeve--and from the sleeve
to steal occasionally into Madison's hand.
Madison, his lips tight, pushed back his chair suddenly--they had been
sitting there an hour.
"You were right, Helena," he said, with a nervous laugh. "The more you
try to figure it out the worse it gets."
"Aw, say, Doc," pleaded the Flopper desperately, "don't youse give it
up--youse have got de head--youse ain't never left us in a hole yet."
Madison looked at him, and smiled mirthlessly.
"My head!" he exclaimed bitterly. "I got you into this, all of you--but
it will take more than my head to get you out. If I could stand for it
myself, I'd do it--but I can't without dragging you in too--we're too
intimately mixed up. If I said it was a deal of mine--they'd ask where
Helena came from--they'd ask where you came from, Flopper. We're
beaten--beaten every way we turn. The game has got us--we haven't a
move. We played it to the limit, the slickest swindle that was ever
worked, and it worked till there's more money than I've tried to count.
And then it changed us from thieves, from--from anything you like--and
now that we want to quit, now that we want a chance to make good, it's
got us in its grip and we can't get away." He flirted a bead of moisture
from his forehead. "My God, I don't know what to do!" he muttered
hoarsely. "It was easy enough to _talk_ about stopping this thing, about
returning the money--but I can't see the way out."
No one answered him--all were silent--as silent as the mute and
venerable figure that sat, listening attentively it seemed, in the
armchair by the fireplace.
Madison turned abruptly after a moment to Pale Face Harry.
"You, Harry," he said, laying a hand on the other's shoulder, "you're
the only one of the four that can walk out of it--you don't show in the
center of the stage--you go. You said the old folks would cry over
you--twenty years is a long time to stay away from the old folks--I--I
never knew mine. You go on back to the little farm out there in the West
where you said you'd like to go, and--and give the old people a hand for
the years they've got left."
Pale Face Harry shook his head.
Public-domain text, read in full here on John Shaqi.
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