The Miracles of Antichrist: A NovelLagerlöf, Selma
General
The Miracles of Antichrist: A Novel
Lagerlöf, Selma
Sicily (Italy) -- Fiction; Socialism -- Fiction
When she had finished a sort of storm of applause roared over her. At
last she understood. Torches and the moonlight made the night so bright
that she could see the rows of people twisting with laughter. She heard
the scoffs and the jests now, when she was not singing. They were for
her. Then she fled from the stage. It seemed to her that Etna itself
heaved with laughter, and that the sea sparkled with merriment.
But it grew worse and worse. They had had such a good time, those poor
people; they had never had such a good time before, and they wished
to hear her once again. They called for her; they cried: “Bravo! Bis!
Da capo!” They could not lose such a pleasure. She, she was almost
unconscious. There was a storm about her. They screamed; they roared to
get her in. She saw them lift their arms and threaten her to get her in.
All at once it was all turned into an old circus. She had to go in to be
devoured by monsters.
It went on; it went on; it became wilder and wilder. The other performers
were frightened and begged her to yield. And she herself was frightened.
It looked as if they would have killed her if she did not do what they
wished.
She dragged herself on the stage and stood face to face with the crowd.
There was no pity. She sang because they all wished to be amused. That
was the worst. She sang because she was afraid of them and did not dare
not to. She was a foreigner and alone, and she had no one to protect her,
and she was afraid. And they laughed and laughed.
Screams and cries, crowing and whistling accompanied the whole aria. No
one had mercy on her. For the first time in her life she felt the need of
mercy.
Well, the next day she resolved to depart. She could not endure Diamante
any longer. But when she told the advocate, Favara, he implored her to
stay for his sake and made her an offer of marriage.
He had chosen his time well. She said yes, and was married to him. But
after that time she built no more on her palaces; she made no struggle
against poverty; she cared nothing to be queen in Diamante. Would you
believe it? She never showed herself on the street; she lived indoors
like a Sicilian.
Her little house stood hidden away behind a big building, and of herself
no one knew anything. They only knew that she was quite changed. No
one knew whether she was happy or unhappy; whether she shut herself in
because she hated the people, or because she wished to be as a Sicilian
wife ought to be.
Does it not always end so with a woman? When they build their palaces
they are never finished. Women can do nothing that has permanence.
III
THE OUTCAST
Public-domain text, read in full here on John Shaqi.
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