The Miracles of Antichrist: A NovelLagerlöf, Selma
General
The Miracles of Antichrist: A Novel
Lagerlöf, Selma
Sicily (Italy) -- Fiction; Socialism -- Fiction
Donna Micaela looked at the image for a moment with stupefaction. Then
she smiled and said: “Lend me the image for a few days, Fra Felice!”
“You can take it and keep it,” said the old man. “May it never come
before my eyes again!”
Donna Micaela took the image home and worked on it for two days. When she
then sent it to Fra Felice it shone with newly polished shoes; it had a
fresh, clean dress; it was painted, and in its crown shone bright stones
of many colors.
He was so beautiful, the outcast, that Fra Felice placed him on the empty
altar in his church.
* * * * *
It was very early one morning. The sun had not risen, and the broad sea
was scarcely visible. It was really very early. The cats were still
roaming about the roofs; no smoke rose from the chimneys; and the mists
lay and rolled about in the low valley round the steep Monte Chiaro.
Old Fra Felice came running towards the town. He ran so fast that he
thought he felt the mountain tremble beneath him. He ran so fast that the
blades of grass by the roadside had no time to sprinkle his cloak with
dew; so fast that the scorpions had no time to lift their tails and sting
him.
As the old man ran, his cloak flapped unfastened about him, and his rope
swung unknotted behind. His wide sleeves waved like wings, and his heavy
hood pounded up and down on his back, as if it wished to urge him on.
The man in the custom-office, who was still asleep, woke and rubbed his
eyes as Fra Felice rushed by, but he had no time to recognize him. The
pavements were slippery with dampness; beggars lay and slept by the high
stone steps with their legs heedlessly stretched out into the street;
exhausted domino-players were going home from the Café reeling with
sleep. But Fra Felice hastened onward regardless of all obstructions.
Houses and gateways, squares and arched-over alleys disappeared behind
old Fra Felice. He ran half-way up the Corso before he stopped.
He stopped in front of a big house with many heavy balconies. He seized
the door-knocker and pounded until a servant awoke. He would not be quiet
till the servant called up a maid, and the maid waked the signora.
“Donna Micaela, Fra Felice is downstairs. He insists on speaking to you.”
When Donna Micaela at last came down to Fra Felice, he was still panting
and breathless, but there was a fire in his eyes, and little pale roses
in his cheeks.
It was the image, the image. When Fra Felice had rung the four-o’clock
matins that morning he had gone into the church to look at him.
Then he had discovered that big stones had loosened from the dome just
over the image. They had fallen on the altar and broken it to pieces, but
the image had stood untouched. And none of the plaster and dust that had
tumbled down had fallen on the image; it was quite uninjured.
Public-domain text, read in full here on John Shaqi.
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