The Miracles of Antichrist: A NovelLagerlöf, Selma
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The Miracles of Antichrist: A Novel
Lagerlöf, Selma
Sicily (Italy) -- Fiction; Socialism -- Fiction
“None have known the love that I have brought thee,
Silent, secret, born in midnight’s measure.
All my dreams have stolen forth and sought thee;
Miser-like, the while, I watched my treasure:
Tho’ the priest shall seek to shrive me, dying,
Silent I, nor needing him to speed me,
Bar the door, fling forth the key, and lying
Thus unshriven, go where death shall lead me.”
The mandolin continued to play. There is something of open air and
sunlight in a mandolin; something soothing and calming; something of the
cheering carelessness of beautiful nature.
IX
FLIGHT
At that time the little image from Aracoeli was still in Diamante.
The Englishwoman who owned it had been fascinated by Diamante. She had
not been able to bring herself to leave it.
She had hired the whole first floor of the hotel, and had established
herself there as in a home. She bought for large sums everything she
could find in the way of old pots and old coins. She bought mosaics, and
altar-pictures, and holy images. She thought that she would like to make
a collection of all the saints of the church.
She heard of Gaetano, and sent him a message to come to her at the hotel.
Gaetano collected what he had carved during the last few days and took
them with him to Miss Tottenham. She was much pleased with his little
images, and wished to buy them all.
But the rich Englishwoman’s rooms were like the lumber-rooms of a museum.
They were filled with every conceivable thing, and there was confusion
and disorder everywhere. Here stood half-empty trunks; there hung cloaks
and hats; here lay paintings and engravings; there were guide-books,
railway time-tables, tea-sets, and alcohol lamps; elsewhere halberds,
prayer-books, mandolins, and escutcheons.
And that opened Gaetano’s eyes. He flushed suddenly, bit his lips, and
began to repack his images.
He had caught sight of an image of the Christchild. It was the outcast,
who was standing there in the midst of all the disorder, with his
wretched crown on his head and brass shoes on his feet. The color was
worn off his face; the rings and ornaments hanging on him were tarnished,
and his dress was yellowed with age.
When Gaetano saw that, he would not sell his images to Miss Tottenham; he
meant simply to go his way.
When she asked him what was the matter with him he stormed at her, and
scolded her.
Did she know that many of the things she had about her were sacred?
Did she know, or did she not know, that that was the holy Christchild
himself? And she had let him lose three fingers on one hand, and let the
jewels fall out of his crown, and let him lie dirty, and tarnished, and
dishonored! And if she had so treated the image of God’s own son, how
would she let everything else fare? He would not sell anything to her.
When Gaetano burst out at her in that way Miss Tottenham was enraptured,
enchanted.
Public-domain text, read in full here on John Shaqi.
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