In the midst of the great crowd of people, no chill was felt. The winter night was mild as a spring morning; and Donna Micaela began to feel something of spring in her. It began to stir and tremble in her in a way which was both sweet and terrible. It must feel so in the snow-masses on Etna when the sun melts them into sparkling brooks. She looked at the people who filled the market-place, and was amazed at herself that she had been so tortured by them in the forenoon. She was glad that they loved Gaetano. Alas, if he had only continued to love her, she would have been unspeakably proud and happy in their love. Then she could have kissed those old callous hands that made images of him and were clasped in prayers for him. As she was thinking this, the church-door was thrown open and a big, flat wagon rolled out of the church. Highest on the red-covered wagon stood San Sebastiano by his stake, and below the image sat the four singers, who were to contest. There was an old blind man from Nicolosi; a cooper from Catania, who was considered to be the best improvisatore in all Sicily; a smith from Termini, and little Gandolfo, who was son to the watchman in the town-hall of Diamante. Everybody was surprised that Gandolfo dared to appear in such a difficult contest. Did he do it perhaps to please his betrothed, little Rosalia? No one had ever heard that he could improvise. He had never done anything in his whole life but eat mandarins and stare at Etna. The first thing was to draw lots among the competitors, and the lots fell so that the cooper should come first and Gandolfo last. When it fell so Gandolfo turned pale. It was terrible to come last, when they all were to speak on the same subject. The cooper elected to speak of San Sebastiano, when he was a soldier of the legion in ancient Rome, and for his faith’s sake was bound to a stake and used as a target for his comrades. After him came the blind man, who told how a pious Roman matron found the martyr bleeding and pierced with arrows, and succeeded in bringing him back to life. Then came the smith, who related all the miracles San Sebastiano had worked in Sicily during the pest in the fifteenth century. They were all much applauded. They spoke many strong words of blood and death, and the people rejoiced in them. But every one from Diamante was anxious for little Gandolfo. “The smith takes all the words from him. He must fail,” they said. “Ah,” said others, “little Rosalia will not take the engagement ribbon out of her hair for that.” Gandolfo shrunk together in his corner of the wagon. He grew smaller and smaller. Those sitting near could hear how his teeth chattered with fright. When his turn came at last, and he rose and began to improvise, he was very bad. He was worse than any one had expected. He faltered out a couple of verses, but they were only a repetition of what the others had said.