The Miracles of Antichrist: A NovelLagerlöf, Selma
General
The Miracles of Antichrist: A Novel
Lagerlöf, Selma
Sicily (Italy) -- Fiction; Socialism -- Fiction
She tried to explain, she used all her eloquence to persuade. No one was
interested in her plans.
Wherever she came, people answered her that they were too poor, too poor.
The syndic’s wife answered no. Her daughters were not allowed to sell
at the bazaar. Don Antonio Greco, who had the marionette theatre, would
not come with his dolls. The town-band would not play. None of the
shop-keepers would give any of their wares. When Donna Micaela was gone
they laughed at her.
A railroad, a railroad! She did not know what she was thinking of. There
would have to be a company, shares, statutes, concessions. How should a
woman manage such things?
While some were content to laugh at Donna Micaela, some were angry with
her.
She went to the cellar-like shop near the old Benedictine monastery,
where Master Pamphilio related romances of chivalry. She came to ask him
if he would come to her bazaar and entertain the public with Charlemagne
and his paladins; but as he was in the midst of a story, she had to sit
down on a bench and wait.
Then she noticed Donna Concetta, Master Pamphilio’s wife, who was sitting
on the platform at his feet knitting a stocking. As long as Master
Pamphilio was speaking, Donna Concetta’s lips moved. She had heard his
romances so many times that she knew them by heart, and said the words
before they had passed Master Pamphilio’s lips. But it was always the
same pleasure to her to hear him, and she wept, and she laughed, as she
had done when she heard him for the first time.
Master Pamphilio was an old man, who had spoken much in his day, so that
his voice sometimes failed him in the big battle-scenes, when he had to
speak loud and fast. But Donna Concetta, who knew it all by heart, never
took the word from Master Pamphilio. She only made a sign to the audience
to wait until his voice came back. But if his memory failed him, Donna
Concetta pretended that she had dropped a stitch, raised the stocking to
her eyes, and threw him the word behind it, so that no one noticed it.
And every one knew that although Donna Concetta perhaps could have told
the romances better than Master Pamphilio, she would never have been
willing to do such a thing, not only because it was not fitting for a
woman, but also because it would not give her half so much pleasure as
to listen to dear Master Pamphilio.
When Donna Micaela saw Donna Concetta, she fell to dreaming. Oh, to sit
so on the platform, where her beloved was speaking; to sit so day in and
day out and worship. She knew whom that would have suited.
When Master Pamphilio had finished speaking Donna Micaela went forward
and asked him to help her. It was hard for him to say no, on account of
the thousand prayers that were written in her eyes. But Donna Concetta
came to his rescue. “Master Pamphilio,” she said, “tell Donna Micaela of
Guglielmo the Wicked.” And Master Pamphilio began.
Public-domain text, read in full here on John Shaqi.
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