The Miraculous Medal: Its Origin, History, Circulation, ResultsAladel, Jean-Marie
Religion
The Miraculous Medal: Its Origin, History, Circulation, Results
Aladel, Jean-Marie
Labouré, Catherine, Saint, 1806-1876; Mary, Blessed Virgin, Saint; Miraculous Medal
[Footnote 25: Letter of a Sister, September 29.]
* * * * *
"The three patients whose confessions I heard were poor
Irish. They manifested great resignation in their sufferings;
all three asked for, and gratefully received a medal of the
Immaculate Conception. An English officer (a Catholic), who
wore with pious confidence the medal of Mary, told me that
several of his colleagues, though Protestants, had accepted the
medal and preserved it respectfully, and that the cholera and
balls of the Russians had, so far, spared them."[26]
[Footnote 26: Letter of Mr. Boré, October 25.]
* * * * *
"Even amidst the turmoil of war, and in spite of the multitude
of sick and wounded, the Catholics of Constantinople celebrated
solemnly the definition of the dogma of the Immaculate
Conception. Mr. Boré wrote as follows, March 22d, 1835: 'The
_triduum_ of thanksgiving for the declaration and promulgation
of the dogma of the Immaculate Conception was fixed for the
Feast of Saint Joseph. We have endeavored to unite, in the
expression of our joy, with that of the faithful throughout the
Catholic world, and to imitate, to the best of our ability,
those magnificent and most consoling manifestations that have
taken place in France, who in this has shown a true love for
the Mother of God, a love already repaid by a new development
of national strength and vigor. The zeal and skill of our dear
Sisters in charge of the adjoining establishment have greatly
contributed to the splendor of the feast. The good taste
and experience of one of them suggested to her the idea of
substituting for the large picture over the main altar a figure
of the Immaculate Conception; the Blessed Virgin was crowned
with golden stars, her dress and drapery were rich and radiant
in a glory of gauze, the whole framed in lilies. The head,
borrowed from the portrait of a Circassian lady, and the golden
crescent under her feet, were happy indications, both in color
and emblem, of the events transpiring around us. A Catholic
Armenian lady lent a set of diamonds, which flashed back the
myriad flames of tapers and candles contained in candelabras,
hidden in the abundance of lilies. This illumination,
improvised by our pupils in imitation of those they knew would
take place throughout France, was indeed an honor to their
taste and piety.'"
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Public-domain text, read in full here on John Shaqi.
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