The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810Arnold, Samuel James
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 2, February 1810
Arnold, Samuel James
Drama -- Periodicals; Theater -- Periodicals
There was formerly in the Northern Liberties a petty theatre, called
Noah's Ark, from its being in the neighbourhood of a tavern, of which
that was the sign. A ludicrous circumstance took place there about
twenty years ago; a hobble-de-hoy, of the name of Purcell, with a wizen
face like "Death and Sin," having met with misfortunes, hired the
theatre for one night, and advertised Othello for his benefit. He played
himself the character of the valiant Moor. As he had many friends who
made considerable exertions in his favour, the house was crowded. His
acting was so truly ludicrous, that the audience instead of letting fall
the pearly drops over their cheeks, were in an unceasing roar of
laughter. Between the play and the farce a drunken fellow of the name of
Vaughan was to deliver the celebrated epilogue of "Bucks, have at ye
all." He had made the most solemn promise to abstain from his usual drop
of grog till he had performed his tour of duty. But alas! poor human
nature, like other great men, he yielded to the temptation of a flowing
bowl. When he came on the stage, and had just made a beginning--
"Ye social friends--
A slight hiss was heard, which enraged him so much that he stopped, and
looked among the audience with indignation, trying to discover what
jealous rival was endeavouring to discompose him--a silence ensued for a
minute; Vaughan then began again:
Ye social friends of claret and of wit,
Where'er dispersed in merry groupes ye sit.
About ten or a dozen persons then hissed pretty loudly. Vaughan stamped
on the floor, clenched his fist, struck his thigh, and cried out in a
loud voice, "damn you, ye black-guards--I wish I had you here--I'd soon
settle you." A universal hiss took place--the enraged orator was pelted
off the stage, and poor Purcell had to come forward and make an apology.
In this extemporaneous effort, his success was as splendid as in his
performance of Othello. He hoped, he said, the ladies and gentlemen
would not go for to say, for to do, for to think that he was at all to
blame--that it was all Dr. Vaughan's fault--for though he had promised
to keep sober till the play was over, he had got as drunk as David's sow
before it began. This elegant harangue produced the desired effect, and
appeased the angry passions of the gods and goddesses. A parley ensued.
Peace was made. A promise was given that Vaughan should be allowed to
proceed without hissing--and he accordingly came out and recited the
epilogue, now and again looking among the audience to discover who was
murmuring a slight hiss, which the keen ears of the speaker would not
let escape. As soon as he was done, he had the high gratification of a
universal hiss from almost every individual in the house, and was once
more pelted off in spite of all his ire and loudly vociferated threats.
* * * * *
VANDERMERE.
Public-domain text, read in full here on John Shaqi.
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