The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810
Drama -- Periodicals; Theater -- Periodicals
Captain Barclay has obtained much notoriety, by an exhibition of his
personal agility; he seems, from his attainments, eminently qualified to
fill the office of running footman--an establishment, the revival of
which would give permanence to this gymnastic exercise; but it is to be
hoped that he will find few imitators in the British army. Celerity of
movement might, indeed, be very advantageous in the field of battle, and
a column, advancing at the rate of ten miles an hour, might attack the
artillery of the enemy with success; but should a sudden panic on any
occasion seize the troops, they might prove their agility by running
away, to the great disgrace of our national honour. The introduction of
Captain Barclay’s improvement in the motion of legs and feet into the
army, might therefore be attended with disastrous consequences.
This excellent art, however, will probably supersede equestrian
performances on the turf. The horse will no longer be tortured for the
amusement of man; but fellow bipeds, equipped _in querpo_, will start
for the prize, and, with the fleetness of a North-American Indian, bound
along the lists, amid the acclamations and cheers of admiring
multitudes. The competition between man and man in the modern foot-race
is certainly fair; but, for the better regulation of the movements of
public runners, it might be expedient that an amateur, mounted on an
ass, should keep pace with the performers, and, by the judicious
application of a whip, prevent any of the tricks belonging to the turf,
such as crossing and jostling, that gamesters might have a fair chance
for their money. As for those gymnastic heroes, who, like captain
Barclay, merely run against old Time, they are, indeed, unentitled to
the fame they _pant_ for. It may be thought ungenerous to oppose
youthful agility to the hobbling pace of the old gentleman, yet, as he
is well known to be sound in wind, he probably will run the briskest of
them down at last.
The art of running only requires the sanction of some man of quality, to
establish it at the head of all our modern amusements. There is a
certain sameness in other divertisements, which must become irksome to
the spectator. But in the noble exhibitions of the foot-race there will
be no danger of satiety, for the art of running may be diversified by
such innumerable modifications, that it will appear “ever charming, ever
new.” For instance, let the competitors for fame in the celerity of
motion always be selected according to the strictest laws of decorum,
consequently a lord and a lady cannot, without great impropriety, start
against each other.
Public-domain text, read in full here on John Shaqi.
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