The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810
Drama -- Periodicals; Theater -- Periodicals
_Prior._ She did, oh, rage! though snares were laid for her at every
step, though where’er she turned, her eye met seductions of such
enchanting power, as might have thawed the frozen bosom of chastity
herself! but virtuous love already occupied Josepha’s whole heart; and
no room was left for impurer passions: or if for a moment she felt her
wavering senses too forcibly assailed, she only pronounced the name of
Venoni, and turned with disgust from every thought of pleasure, whose
enjoyment would have made her less worthy of his love. But the hour of
my revenge approaches! Venoni----
_Jer._ His last abode is prepared: his wealth once secured to our
monastery, the donor shall be soon disposed of.
_Prior._ I hear a noise-- tis Venoni: ever about this hour he comes to
bathe yonder grating with his tears. Let us retire: solitude and the
ideas which Josepha’s tomb suggests, can but increase the confusion of
his mind, and rivet the chains which bind him in our power. He is here:
follow me in silence.
[Exeunt.
[As they go off on one side, _Venoni_ enters on the other: he
walks slowly; his arms are folded, and his head reclines on his
shoulder.
_Venoni._ It was no mistake! oh, man, man! frail and inconstant! yes;
for an instant I felt pleasure, and yet Josepha is no more; but the
dream was of thee, my beloved, and oh! it was so fair, so lovely!
however it is gone, and I am myself again; again am fit for the dead,
and I hasten to thee my Josepha! (_turning to the grate_) I salute ye,
cruel bars, which separate my beloved and me: another day has past, and
again I mourn beside you! ye are cold: (_kissing them_) so is Josepha’s
heart; so too will mine be shortly. (_rapidly_) Yet while still that
heart shall palpitate, while one spark of that fire still lives in it
which was kindled by her eyes, still will I mourn beside you, cruel
bars; still kneel and mourn beside you! (_kneeling, and resting his head
against the grate_)
The _viceroy_ enters.
_Viceroy._ That plaintive voice-- I cannot be mistaken. Tis he! tis
Venoni! my friend!
_Venoni._ (_starting_) Benvolio! you within these walls! ah, did I not
entreat-- I told you, I repeat it now, I’m dead to the world. I exist
for no one-- for nothing-- but grief and the memory of Josepha. Leave
me! leave me! (_he resumes his despondent attitude_)
_Vice._ Not till I have obtained one last, last interview. Venoni,
I claim it in the name of that paternal friendship which I have borne
you for so many years, and which even now I feel for you as strong as
ever. I claim it in the name of that sacred union, once so near
connecting us by the most tender ties: I claim it in the name of her,
who while living was alike the darling of both our hearts, and in whose
grave the affection of both our hearts alike lies buried-- Venoni,
I claim it in the name of Josepha.
_Venoni._ (_quitting the grate_) Of Josepha? say on you shall be heard.
Public-domain text, read in full here on John Shaqi.
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