The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 3, March 1810
Drama -- Periodicals; Theater -- Periodicals
SCENE II-- _an anti-chamber in the viceroy’s palace._
Enter _Benedetto_, _Carlo_, _Pietro_, &c.
_Ben._ Here, Pietro! Carlo! where are you all? they call for more iced
water! the supper-room is not half lighted-- and Carlo, Carlo, bless my
heart! I had almost forgotten! Carlo, take three of your fellows, and
help to bring out the fat countess of Calpi, who has just fainted away
in the ball room.
[Exeunt servants.
What heat! what a crowd! nay, for that matter the fat countess of Calpi
is a crowd of herself, and though it were the depth of winter, her
presence would raise the thermometer to “boiling water.” Well! I must
say, it’s mighty inconsiderate in corpulent people to come abroad in
sultry weather; and if I were a senator, I’d make it high treason for
persons above a certain weight to squeeze themselves into public places
after the first of May.
Enter _Teresa_.
So, Teresa! gay doings! lord bless their elbows, how the fiddlers are
shaking them away in the ball room.
_Te._ Gay in truth. But good-lack! it only serves to make me melancholy
by reminding me, how the dear lady Josepha would have ornamented such an
entertainment! I see the marchioness is here: well! how she can find
spirits to enter scenes of gayety--
_Ben._ Nay, nay, Teresa, the viceroy insisted on her coming; but though
the scene around her is gay, that her heart is sad is but too evident.
_Te._ Ah! and well it may be sad-- after shutting her daughter up in the
convent where she caught that fatal malady--
_Ben._ Could she foresee that? and why lay all the blame upon the
marchioness? surely the marquis is almost as culpable for consenting
that--
_Te._ By no means, Benedetto, by no means; the marquis only did what
every sensible man ought to do; he obeyed his wife-- but as for the
marchioness-- oh! I have no patience with her!
_Ben._ So it appears, Teresa; and shall I tell you why? because the
marchioness is a woman, and you are a woman too: now I’ve always
observed that when a female has done wrong, she ever meets with least
indulgence from persons of her own sex; and whenever I want to hear the
foibles of one woman properly cut up, I never fail to ask another woman
what she thinks of them.
_Ser._ (_without_) Benedetto, Benedetto!
_Ben._ Coming, coming! [Exit.
_Te._ Well, there is one thing that seems to me very strange; Benedetto
has certainly an excellent understanding-- and yet he isn’t always of my
opinion-- now that appears to me quite unaccountable. (_going_)
Father _Michael_ rushes in out of breath.
_Mi._ Heaven be praised! then I am arrived at last.
_Te._ A friar! your business, father?
_Mi._ Tis with the viceroy; good daughter, lead me to him this instant.
_Te._ This instant? oh, mercy on me, you can’t see him tonight, if you’d
give your eyes.
_Mi._ I must, I tell you! I must! my business is of such importance,
that--
Enter _Benedetto_.
_Ben._ Why, Teresa! dawdling here, while the maids--
[Exit Teresa.
Public-domain text, read in full here on John Shaqi.
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