The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 5, May 1810
Drama -- Periodicals; Theater -- Periodicals
SCENE IV.--[_The inner cavern, partially lighted with lamps. In the
middle, folding doors guarded with iron bars; on one side a rough hewn
staircase leading to a small door above._]
Gomez, Marcos, _and conspirators, discovered in listening attitudes_.
_Gom._ 'Tis strange, the time is past, and yet not here?
_Mar._ Henriquez too is absent.
_Gom._ Steps approach. [_Kneeling at the folding door._]
Who knocks?
_Hen._ (_without_) A friend.
_Mar._ The pass word.
_Hen._ Empire.
_Gom._ Open. [Marcos _unbars the door_.]
Henriquez, Melchior, _and_ Lucio, _enter through the folding doors,
which_ Marcos _again closes_.
_Gom._ Friends welcome. Melchior, is thy work complete?
_Mel._ Complete, and fit for springing. Nought is wanting.
The train is laid. One spark and all is done.
Our chief alone----
_Gom._ The private door unlocks.
_Hen._ Caesario only has the key.
_Mel._ 'Tis he.
Caesario _descends the staircase swiftly. His looks are wild; his hair
flows loose; and he grasps a bloody dagger_.
_All._ Welcome, Caesario, welcome!
_Caesa._ Ay, shout, shout,
And, kneeling greet your blood anointed king,
This steel his sceptre. Tremble, dwarfs in guilt,
And own your master. Thou art proof, Henriquez,
'Gainst pity. I once saw thee stab in battle
A page who clasped thy knees; and Melchior, there
Made quick work with a brother whom he hated
But what did I this night? Hear, hear, and reverence!
There was a breast on which my head had rested
A thousand times; a breast which loved me fondly,
As Heaven loves martyred saints; and yet this breast
I stabbed, knaves, stabbed it to the heart! Wine, wine, there!
For my soul's joyous. [Gomez _brings a goblet_.]
_Hen._ Friend, what means this frenzy?
What hast thou done? Where is Ottilia?
_Caesa._ (_dashing down the goblet_) Dead!
Dead, Marquis! At that word how the vault rings,
And the ground shakes. It shall not shake my purpose.
Murder and I are grown familiar, friends.
The assassin's trade is sweet. I've tasted blood,
And thirst for more. Say, is the mine----
_Mel._ All's ready.
_Caesa._ Who fires the train?
_Hen. Mel. and all the conspirators._ I, I!
_Caesa._ Oh, cheerful cry!
Oh! glorious strife for guilt: Let each man throw
His dagger in my casque; be his the service,
Whose steel I draw.
_Hen._ 'Tis me----
_Caesa._ [_To_ Lucio.] Thy torch, boy, [_giving it to_
Henriquez.] Take it!
Here lies thy way--speed, speed, and let yon vaults,
Shivering in fragments, tell my ravished ear
Alfonso dies. Away, away!--[_On his throwing open the folding doors_,
Amelrosa _is discovered_.]
_Amel._ Forbear!
_All._ The princess.
Public-domain text, read in full here on John Shaqi.
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