The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810
History
The Mirror of Taste, and Dramatic Censor, Vol. I, No. 6, June 1810
Drama -- Periodicals; Theater -- Periodicals
_Chris._ When a little farm we keep,
And have little girls and boys,
With little pigs and sheep,
To make a little noise----
Oh! what happy, merry days we'll see!
_Ul._ Then we'll keep a little maid,
And a little man beside;
And a little horse and pad,
To take a little ride,
With the children sitting on our knee.
_Chris._ The boys I'll conduct,
_Ul._ The girls I'll instruct;
_Chris._ In reading I'll engage,
Each son is not deficient;
_Ul._ In music I presage,
Each girl is a proficient.
_Chris._ Now, boy, your A, B, C!
_Ul._ Now, girl, your solfa!
[_Ulrica is supposed to teach a girl to sing, and Christopher to teach a
boy to read._]
_Both._ When a little farm we keep, &c.
_Chris._ Charming! delightful!
_Ul._ Very! only you forget one thing: you forget we are both locked up;
and if aunt finds us together, it will make bad so much worse. Mercy on
me! how could you get in here?
_Chris._ Mercy on me! how am I to get out here? and my time's up with
the count!
_Ul._ What count?
_Chris._ Why, mother, who formerly got this ungrateful aunt made
housekeeper to old count Roland, you know, has lately got me into the
young count's retinue; and he is killing game in the neighbouring woods,
and I'm (_noise of unlocking the door_) killed myself! Oh, Lord! there's
only one chance: aunt cant know me--she has'nt seen me since I became a
man; but then, _you_, cousin! if I _am_ a man! shall I, like a base
selfish--No--it mounts!--the Roland blood mounts high within me.
[_Noise._
_Ul._ Hush! I rely on him they select to be my husband. His heart's
elsewhere; and by securing your own escape now, you may hereafter effect
mine. [_Stage door opens._] The baron! our enraged host! Now! what's to
be done now? [_Christopher retires up the stage._
_Enter_ Baron Ravensburg _and_ Oliver.
_Oliver._ I tell you, my lord, I'm sure Agnes will be found
innocent--but I'm silent.
_Baron._ Be silent, then. And for you, madam, I came to tell you that
the priest is sent for, and my son is sent for; and I shan't stir out of
this room till I witness the glorious union of the Rolands and the
Ravensburgs.
_Ul._ (_archly._) Your son! your son is absent, then!
_Bar._ He is: but the countess has undertaken to see him brought home;
and I don't know who she alludes to, but it seems she talks of catching
more troublesome people. [_Here Ulrica makes signs to Christopher to be
gone, and he steals towards the stage door, behind the baron and
Oliver_] And so, Oliver, bring me a chair, old Oliver; [Oliver _gives
him one_] for here I'll sit.--[_Christopher opens the door, and is
going, when the baron hears him._]--Why, what's that? [_In his agitation
Christopher turns sharply round, and faces the baron, holding the door
wide open in his hand._] Zounds! where do you come from?
_Chris._ Come! I come from---- [_Amazed._
Public-domain text, read in full here on John Shaqi.
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