The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
In short, there is nothing, however minute in manners, however
insignificant in appearance, that does not demand some portion of
attention from a well-bred and highly-polished young woman. An author
of no small literary renown, has observed, that several of the minutest
habits or acts of some individuals, may give sufficient reasons to
guess at their temper. The choice of a gown, or even the folding
and sealing of a letter, will bespeak the shrew and the scold, the
careless and the negligent. This observation I have made myself, not
only in this, but in several other countries. The Marchioness of B----
addressed me, a few years ago, in a letter so cleanly folded, so
carefully sealed, that I was really prejudiced in her favor, ere I saw
that my surmises were right; and the flame-color ribbon, fluttering
about the Hon. Mrs. D.’s head, had given me a foreboding of her
acrimonious and fiery disposition. These fine and almost imperceptible
objects are the touches which bring the whole to its utmost perfection.
They are the varnish to the picture, the polish to the gem, the points
to the diamond.
I will go further upon this subject. The very voice of an individual,
the tone she assumes in speaking to strangers, or even familiarly to
her friends, will lead a keen observer to discover what elements her
temper is made of. The low key belongs to the sullen, sulky, obstinate,
the shrill note to the petulant, the pert, the impatient; some will
pronounce the common and trite question “how _do_ you _do_?” with such
harshness and raucity, that they seem positively angry with you that
you should ever _do_ at all. Some effect a lispingness, which at once
betrays childishness and downright nonsense; others will bid their
words to gallop so swiftly, that the ablest ear is unable to follow the
rapid race, and gathers nothing but confused and unmeaning sounds. All
these extremes are to be avoided; and, although nature has differently
formed the organs of speech for different individuals, yet there is a
mode to correct nature’s own aberrations. I have heard of sensible
men, who, merely for the tone of voice which did not quite harmonize
with their ears, have dropped their connexion with women, who, in all
other points were unexceptionable.
Admit this, and another salutary truth will be made manifest. If
good-breeding and graceful refinement are ever _most proper_, they
are always so. It is not sufficient that Amaryllis is amiable and
elegant in her whole deportment to strangers and to her acquaintance;
she must be undeviatingly so to her most intimate friends, to nearest
relations, to father, mother, brothers, sisters, husband. She must have
no _dishabille_ for them, either of mind or person.
Public-domain text, read in full here on John Shaqi.
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