The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and BeautyLady of distinction, active 19th century
History
The Mirror of the Graces: Containing General Instructions for Combining Elegance, Simplicity, and Economy with Fashion in Dress; Hints on Female Accomplishments and Manners; and Directions for the Preservation of Health and Beauty
Lady of distinction, active 19th century
Beauty, Personal; Clothing and dress -- Great Britain -- History -- 19th century; Etiquette -- Great Britain
with impunity; for health, and even life, are often sacrificed to it.
Corsets are used partly as a warm covering to the chest, and partly to
furnish a convenient attachment to other parts of the female dress.
This is all proper and correct; but to these uses fashion superadds
others, originating in fantastical notions of beauty. Corsets are
employed to modify the shape, to render the chest as small below, and
as broad above, as possible, and to increase the elevation, fulness,
and prominence of the bosom. To show how this affects the condition of
the body, we must begin by giving a short description of the thorax or
chest, which is the subject of this artificial compression.
Every one who has seen a skeleton, knows that the chest consists
of a cavity protected by a curious frame-work of bones. These are,
1st, the back-bone, (consisting of _vertebræ_, or short bones jointed
into one another,) which sustains the whole upper part of the trunk;
2d, the breast-bone, about seven or eight inches long, and composed
of three pieces; and 3dly, the ribs, of which there are generally
twentyfour. The twelve ribs on each side are all fixed to the back-bone
behind; seven of these, the seven uppermost, are also attached to the
breast-bone before, and are, therefore, called _true ribs_. The eighth
rib has its end turned up, and rests on the seventh; the ninth rests
in the same way on the eighth; but the tenth, eleventh, and twelfth
are not connected with one another in front at all. The fore extremity
of each rib consists not of bone, but of an elastic substance called
cartilage. The elasticity of this substance, combined with the oblique
position of the ribs, constitutes a beautiful provision, in consequence
of which the chest enlarges and contracts its volume, to afford free
play to the lungs.
We now wish to call attention to the form of this cavity, which, as
we have seen, is surrounded and protected by the back-bone, ribs, and
breast-bone, and is called the _thorax_, or chest. The uppermost pair
of ribs, which lie just at the bottom of the neck, are very short;
the next pair is rather longer; the third longer still; and thus they
go on increasing in length to the seventh pair, or last _true_ ribs,
after which the length diminishes, but without materially contracting
the size of the cavity, because the false ribs only go round a part of
the body. Hence the chest has a sort of conical shape, or it may be
compared to the bee-hives used in this country, the narrow or pointed
end being next the neck, and the broad end undermost. The natural form
of the thorax, in short, is just the reverse of the fashionable shape
of the waist. The latter is narrow below, and wide above; the former is
narrow above, and wide below.
Public-domain text, read in full here on John Shaqi.
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