The Misses Mallett (The Bridge Dividing)Young, E. H. (Emily Hilda)
General
The Misses Mallett (The Bridge Dividing)
Young, E. H. (Emily Hilda)
Fiction
They had reached the highest point of the hill and they halted at the
railing on the cliff’s edge. Below them, the blackness of earth gave
way to the blackness of air and the shining blackness of water, and
slowly the opposing cliff cleared itself from a formless mass into the
hardly seen shapes of rock and tree. Here was beauty, here was
something permanent in the midst of change, and it seemed as though the
hand of peace were laid on Henrietta. For a moment the episode on the
other side of the water and the problem it involved took their tiny
places in the universe instead of the large ones in her life and,
strangely enough, it was Charles Batty who loomed up big, as though he
had some odd fellowship with immensity and beauty.
“What do you give me?” she asked. “I don’t want it, you know, but tell
me.”
“I told you that night when you listened and took it all. I don’t think
I can say it again.”
“No, but you’re not to misunderstand me, and you mustn’t go on giving
and getting nothing back.”
“That’s just what I can do. Not many people could, but I can. Perhaps
it’s the only way I can be great, like an artist giving his work to a
world that doesn’t care.”
The quick sense she had to serve her instead of knowledge and to make
her unconsciously subtle, detected his danger in the words and some
lack of homage to herself. “Ah, you’re pretending, and you’re enjoying
it,” she said. “It’s consoling you for not being able to do anything
else.”
“Who said I couldn’t do anything else?”
“Well, you nearly did, and I don’t suppose you can. If you could, you
wouldn’t bother about me.”
He was silent and though she did not look at him she was very keenly
aware of his tall figure wrapped in an overcoat reaching almost to his
heels and with the big parcel under his left arm. He was always
slightly absurd and now, when he struck the top bar of the railing with
his left hand and uttered a mournful, “Yes, it’s true!” the tragedy in
his tone could not repress her smile. Yet if he had been less funny he
might have been less truly tragic.
“So, you see, I’m only a kind of makeshift,” she remarked.
“No,” he said, “but I may have been mistaken in myself. I’m not
mistaken about you. Never!” he cried, striking the rail again.
They were alone on the hill, but suddenly, with a clatter of wings, a
bird left his nest in the rocks and swept out of sight, leaving a
memory of swiftness and life, of an intenser blackness in the gulf. Far
below them, to the left, there were lights, stationary and moving, and
sometimes the clang of a tramcar bell reached them with its harsh
music: the slim line of the bridge, with here and there a dimly burning
light, was like a spangled thread. The sound of footsteps and voices
came to them from the road behind the hill.
Public-domain text, read in full here on John Shaqi.
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