The Misses Mallett (The Bridge Dividing)Young, E. H. (Emily Hilda)
General
The Misses Mallett (The Bridge Dividing)
Young, E. H. (Emily Hilda)
Fiction
“She’s sure to see me. Eyes like needles.”
“She mustn’t. She’ll probably go by train. If she goes to London, to
this address—I’ve written it down for you—you may leave her there for
the night and let me know at once. If she goes anywhere else, you must
go with her. Take care of her. I can’t tell you exactly what to do
because I don’t know what’s going to happen. She may meet somebody, and
then, Charles, you must go with them both. But bring her home if you
can. Don’t go to sleep. Don’t compose music in your head. Oh, Charles,
this is your chance!”
“Is it? I shall miss it. I always do the wrong thing.”
“Not to-night.” She smiled at him eagerly, imperiously, trying to endue
him with her own spirit. “Stay here in the shadow. I don’t think you
will have long to wait, and if you get your chance, if you have to talk
to her, don’t scold.”
“Scold! It’s she that scolds. She bullies me.”
“Ah, not to-night!” she repeated gaily.
He peered down at her. “Yes, you are rather like her in the face,
specially when you laugh. Better looking, though,” he added mournfully.
“Don’t tell her that.”
“Mustn’t I? Well, I don’t suppose I shall think of it again.”
“Remember that for you she is the best and most beautiful woman in the
world. You can tell her that.”
“The best and most beautiful—yes,” he said. “All right. But you’ll
see—I’ll lose her. Bound to,” he muttered.
She put her hand on his arm. “You’ll bring her home,” she said firmly,
and she left him standing monumentally, with his hat awry.
Charles stood obediently in the place assigned to him, where the
shelter of the Malletts’ garden wall made his own bulk less conspicuous
and whence he could see the gate. The night was mild, but a little wind
had risen, gently rocking the branches of the trees which, in the
neighbourhood of the street lamps, cast their shadows monstrously on
the pavements. Their movements gradually resolved themselves into
melody in Charles Batty’s mind: the beauty of the reflected and
exaggerated twigs and branches was not consciously realized by his
eyes, but the swaying, the sudden ceasing, and the resumption of that
delicate agitation became music in his ears. He, too, swayed slightly
on his big feet and forgot his business, to remember it with a jerk and
a fear that Henrietta had escaped him. Rose had told him he must not
make music in his head. How had she known he would want to do that? She
must have some faculty denied to him, the same faculty which warned her
that Henrietta was going to do something strange to-night.
Public-domain text, read in full here on John Shaqi.
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