The Misses Mallett (The Bridge Dividing)Young, E. H. (Emily Hilda)
General
The Misses Mallett (The Bridge Dividing)
Young, E. H. (Emily Hilda)
Fiction
He could see the brightness of her eyes, looking past him; her lips had
a fixed smile and he wished she would cry again. “She is crying
inside,” he told himself. He moved forward beside her vaguely. The
tenderness of his love for her was like a powerful, warm wave, sweeping
over him and making him helpless for the time. He could do nothing
against it, he had to be carried with it, but suddenly it receded,
leaving him high and dry and unromantically in contact with a
lamp-post. His hat had fallen off.
“What are you doing?” Henrietta asked irritably.
He rubbed his head. “Bumped it. I was thinking about you.”
“What were you thinking?” she asked defiantly.
“Oh, well—” he said.
She laughed. “Charles, you’re hopeless.”
“No, I’m not.” He stooped for his hat and picked it up. “Not,” he
repeated strongly. “Here’s the place.” They had turned into a busy
street. “I hope there won’t be a band.”
“I hope there will be. I want noises, hideous noises.”
“You’re going to get them,” he sighed as he pushed open the swing-door
and received in his ears the fierce banging, braying and shrieking of
various instruments played in a frenzy by a group of musicians
confined, as if for the public safety, in a small gallery at the end of
the room. Large and encumbered by the bag, he stood obstructing the
waiters in the passage between the tables.
“They’re like wild beasts in a cage,” he said in the loud voice of his
anger. “Can you stand it?”
“Oh, yes—yes. Let us sit here, in this corner.” He was ridiculous, she
thought, yet to-night, unconscious of any absurdity himself, he had a
dignity; he was not so ugly as she had thought; his somewhat protruding
eyes had less vacancy, and though his tie was crooked, she was not
ashamed of him. Nevertheless, she said as he sat down, “Charles, I’m
going to London to-night. Get a time-table.”
“Soup first,” he said.
“I must go to-night. I can’t go back to Radstowe.”
“Did you,” he asked unexpectedly, “leave a note on your
dressing-table?”
“What?” She frowned. “No, of course not.”
“Oh, well, you can go back. We’re going to a concert together. It’s
quite easy. I told you you were different from everybody else.” And
then, remembering Rose’s words, he leaned across the table towards her.
“The most beautiful and the best,” he said severely.
“Me?”
“Yes. Here’s the soup.”
She drank it, looking at him between the spoonfuls. This was the man
who had talked to her by the Monks’ Pool. Here was the same detachment
he had shown then, and though the act of taking soup was not poetical,
though the band blared and the place shone with many lights, she was
taken back to that night among the trees, with the water lying darkly
at her feet, keeping its own secrets; with the ducks quacking sleepily
and unseen, and the water rats diving with a silken splash.
She seemed to be recovering something she had lost because she had
disregarded it, something she wanted, not for use but for the sake of
possessing and sometimes looking at it.
Public-domain text, read in full here on John Shaqi.
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