The Misses Mallett (The Bridge Dividing)Young, E. H. (Emily Hilda)
General
The Misses Mallett (The Bridge Dividing)
Young, E. H. (Emily Hilda)
Fiction
“It’s like you,” he said. “You’re just as bright and just as hard, and
if only you were as small, I could put you in my pocket and never let
you go.”
She opened her eyes very wide. “Then why do you let me go?” she asked
on an ascending note, and she did not mean to taunt him. It would be so
easy for him to keep her, if he knew how. She expected a despairing
groan, she half hoped for a violent embrace, but he answered quietly,
“I don’t really let you go. It’s you I love, not just your hair and
your face and the way your nose turns up, and your hands and feet, and
your straight neck. I have to let them go, but you don’t go. You stay
with me all the time: you always will. You’re like music, always in my
head, but you’re more than that. You go deeper: I suppose into my
heart. Sometimes I think I’m carrying you in my arms. I can’t see you
but I can feel you’re there, and sometimes I laugh because I think
you’re laughing.”
She listened, charmed into stillness. Here was an echo of his
outpouring in the darkness of that hour by the Monks’ Pool, but these
words were closer, dearer. She felt for that moment that he did indeed
carry her in his arms and that she was glad to be there. He spoke so
quietly, he was so certain of his love that she was exalted and
abashed. She did not deserve all this, yet he knew she was hard as well
as bright, he knew her nose turned up. Perhaps there was nothing he did
not know.
He went on simply, without effort. “And though I’m ugly and a fool, I
can’t be hurt whatever you choose to do. What you do isn’t you.” He
touched himself. “The you is here. So it doesn’t matter about the ring.
It doesn’t matter about Francis Sales.”
She said on a caught breath and in a whisper, “What about him?”
He looked at her and made a slight movement with the hands hanging at
his sides, a little flicking movement, as though he brushed something
away. “I think perhaps you are going to marry him,” he said deeply.
Her head went up. “Who told you that?” she demanded.
“Nobody. Nobody tells me anything.”
“Because nobody knows,” she said scornfully. “I haven’t seen him
since—” She hesitated. This Charles knew everything, and he said for
her, rather wearily, very quietly, “Since his wife died. No. But you
will.”
“Yes,” she said defiantly, “I expect I shall. I hope I shall.”
A shudder passed through Charles Batty’s big frame and the words,
“Don’t marry him,” reached her ears like a distant muttering of a
storm. “You would not be happy.”
“What has happiness to do with it?” she asked with an astonishing young
bitterness.
“Ah, if you feel like that,” he said, “if you feel as I do about you,
if nothing he does and nothing he says—”
“He says very little,” Henrietta interrupted gloomily, but Charles
seemed not to hear.
“If his actions are only like the wind in the trees, fluttering the
leaves—yes, I suppose that’s love. The tree remains.”
She dropped her face into her hands. “You’re making me miserable,” she
cried.
Public-domain text, read in full here on John Shaqi.
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