The Misses Mallett (The Bridge Dividing)Young, E. H. (Emily Hilda)
General
The Misses Mallett (The Bridge Dividing)
Young, E. H. (Emily Hilda)
Fiction
“Come and sit down, Charles, and don’t be disagreeable. I shall have to
go to Aunt Sophia soon, but then you will be able to talk to Aunt Rose.
That will do just as well.”
“Not quite,” he said. “I really came to tell you—”
“You said you came because you thought I wanted you.”
“So I did, but there were several reasons. You said you were going to
be happy to-day, not murderous, do you remember? And I thought I’d like
to see how you looked. You don’t look happy a bit. What’s the matter?”
“I’ve told you Aunt Sophia’s ill. And would you be happy if you had to
sit in this prim room with two old women?”
“Two? But your Aunt Caroline is dead.”
“But my Aunt Rose is very much alive.”
He wagged his head. “I see.”
“But she isn’t lively. She sits like this—reading a book, and Aunt
Sophia, poor Aunt Sophia, sews like this, and I sit on this horrid
little stool, like this. That’s how we spend the evening.”
“How would you like to spend it?”
“Oh, I don’t know.” She dropped her black head to her knees. “It’s so
lonely.”
“Well,” he began again, “I really came to tell you that there’s a house
to let on The Green: that little one with the red roof like a cap and
windows that squint; a little old house; but—” he paused—“it has every
modern convenience. Henrietta, there’s a curl at the back of your
neck.”
“I know. It’s always there.”
“I can’t go on about the house unless you sit up.”
“Why?”
“Because of that curl.”
“And I’m not interested in the house.” She did not move. “Whose is it?”
“It belongs to a client of ours, but that doesn’t matter. The point is
that it’s to let. I’ve got an order to view. Look!—‘_Please admit Mr.
Charles Batty._’ I went this evening and we can both go to-morrow. It’s
really a very cosy little house. There’s a drawing-room opening on the
garden at the back, with plenty of room for a grand piano, and the
dining-room—I liked the dining-room very much. There was a fire in it.”
“Is that unusual?”
“It looked so cosy, with a red carpet and everything.”
“Is the carpet to let, too?”
“I don’t know. I dare say we could buy it. And mind you, Henrietta, the
kitchen is on the ground floor. That’s unusual, if you like, in an old
house. I made sure of that before I went any further.”
“How far are you going?”
“We’ll go everywhere to-morrow, even into the coal cellar. To-day I
just peeped.”
“I can imagine you. But what do you want a house for, Charles?”
“For you,” he said. “You say you don’t like spending the evenings
here—well, let’s spend them in the little house. We can’t go on being
engaged indefinitely.”
“Certainly not,” she said firmly, “and I should adore a little house of
my own. I believe that’s just what I want.”
“Then that’s settled.”
“But not with you, Charles.”
Public-domain text, read in full here on John Shaqi.
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