It was like release to be in the matted corridor again and it was in silence that Rose led the way downstairs. Henrietta followed slowly, looking at the pictures of hounds in full cry, top-hatted ladies taking fences airily, red-coated gentlemen immersed in brooks, but at the turn of the stairs she stood stock-still. She had the physical sensation of her heart leaving its place and lodging in her throat. Her stranger was standing in the hall; he was looking at Aunt Rose, and she knew now what expression he was wearing in the wood; he was looking at her half-angrily and as though he were suffering from hunger. She could not see her aunt’s face, but when Henrietta stood beside her, Rose turned, saying, “Henrietta, let me introduce Mr. Sales.” He said, “How do you do?” and then she saw again that look of interest with which she seemed to have been familiar for so long. “I think I have seen you before,” he said. “It was you who picked up my orchid.” “Of course.” He looked from her to Rose. “I couldn’t think who you reminded me of, but now I know.” “I don’t think we are very much alike,” Henrietta said. Rose laughed. “Oh, don’t say that. I have been glad to think we are.” “You might be sisters,” said Francis Sales. This little scene, being played so easily and lightly by this man and woman, had a nightmare quality for Henrietta. It had the confusion, the exaggerated horror of an evil dream, without the far-away consciousness of its unreality. Here she was, in the presence of the man she loved and it was wicked to love him. She had longed to meet him and now she wished she might have kept his memory only, the figure on the horse, the man with the pink orchid in his hand. She had suspected her Aunt Rose of a secret love affair, she had now discovered her guilty of sin. The evidence was slight, but Henrietta’s conviction was tremendous. She was horrified, but she was also elated. This was drama, this was life. She was herself a romantic figure; she was robbed of her happiness, her youth was blighted; the woman upstairs was wronged and Henrietta understood why there were knives on her tongue: she understood the watchfulness of the cat. Yet, as they sat in the cool drawing-room with its pale flowery chintz, its primrose curtains, the faded water-colours on the walls and Aunt Rose pouring tea into the flowered cups, she might, if she had wished, have been persuaded that she was wrong. Perhaps she had mistaken that angry, starving look in the man’s eyes; it had gone; nothing could have been more ordinary than his expression and his conversation. But she knew she was not wrong and she sat there, on the alert, losing not a glance, not a tone. Her limbs were trembling, she could not eat and she was astonished that Aunt Rose could nibble biscuits with such nonchalance, that Francis Sales could eat plum cake.