The Misses Mallett (The Bridge Dividing)Young, E. H. (Emily Hilda)
General
The Misses Mallett (The Bridge Dividing)
Young, E. H. (Emily Hilda)
Fiction
Charles said nothing. Mrs. Batty was right: it was like walking with a
dumb man. They left the wood and walked downhill beside a ploughed
field, and in the shelter of a high wall. An open lane brought them to
a gate, the gate opened on a rough road through yet another wood of
larch and spruce and fir. The road was deeply rutted and they walked in
single file until Charles turned, saying, “This is what I’ve brought
you to see. This is ‘The Monks’ Pool.’”
A large pond, almost round and strewn with dead leaves about its edge,
lay sombrely on their right hand, without a movement, without a gleam.
It was like a pall covering something secret, something which must
never be revealed, and opposite, where the ground rose steeply, tall
firs stood up, guardians of the unknown. Faint quackings came from some
unseen ducks among the willows and water gurgled at the invisible
outlet of the pond; there were little stirrings and sighings among the
trees. The protruding roots of an oak offered a seat to Henrietta, and
behind her Charles leaned against the trunk.
It was comfortable to have him there, to be able to look at this dark
beauty without fear, and as she sat there she heard an ever-increasing
number of little sounds; they were caused by she knew not what: small
creatures moving among the pine needles, night birds on the watch for
prey, water rats, the flop of fish, the fall of some leaf over-ripe on
the tree, her own slow breathing, the muffled ticking of her heart; and
into this orchestra of tiny instruments there came slowly, and as if it
grew out of all these, another sound.
It was the voice of Charles, and it was so much a part of this rare
experience, it seemed so right a complement, that at first she did not
listen to the sense of what he said. The words had no clearer meaning
than had the other voices of the night; the whole thing was wonderful
—the tall, immobile trees, the small, secret sounds, the black lake
like an immense, mysterious pall, the steady booming of the voice, had
the effect of magic.
This was essential beauty revealed to her ears and eyes, but gradually
the words formed themselves into sentences and were carried to her
brain. She understood that Charles was talking of himself, of her, with
an eloquence born of long-considered thoughts. He was telling her how
she appeared to him as a being of light and sweetness and necessity; he
was telling her how he loved her; he was asking for nothing, but he was
saying amazing things in language worthy of his thoughts of her.
Public-domain text, read in full here on John Shaqi.
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