The Missing Link in Modern SpiritualismUnderhill, A. Leah (Ann Leah)
Religion
The Missing Link in Modern Spiritualism
Underhill, A. Leah (Ann Leah)
Fox family; Spiritualism
[23] They probably meant it as a reproof of the girls' attempt
to mix up their childish nonsense with a subject too great and
grave for such trifling on their part.--ED.
Maggie went into the parlor bed-room, and I laid down on the sofa. She
took a cane and I a shell from the table to rap with. I precautionally
placed matches near me in case of need. She rapped _once_ (with the
cane) upon the ceiling, but before I could make any attempt at using my
shell the house was in an uproar. The piano was violently sounded, the
match-box rattled against the ceiling. I called to Maggie to know if it
was she who was pounding the piano so violently. Mother cried out, "God
have mercy on us!" She saw a very tall man--or the form of one--standing
in the open doorway, and recognized him as her father. Mother was
so frightened that she started up, and as she did so tore down
the window-shade, which let in the light of a bright moon. I was
unceremoniously seized upon and lifted through a circular aperture in
the ceiling (large enough to admit four small pipes, leading from the
parlor stove into a sheet-iron drum in the room above, in which Calvin
slept). (See diagram on page 209.) I was there held suspended for
several minutes by two iron hands (as they seemed to me), the one felt
icy cold, and the other almost burning hot. Calvin, in bed in the room
above, lay quietly listening to the uproar, but made no remark. I
entreated him to come down to us, but he positively refused, saying,
"No, you have raised the Devil, and must take the consequences."
This uproar continued all night, and people gathered around the house to
listen to it. We found, by experience, that nothing we could do in our
attempt at a little fun played off on mother, would equal the
performances of the Spirits at our expense.
The second of these private domestic incidents, designed perhaps for
rebukes and lessons, was as follows:
To make this story understood, it will be necessary to describe the
situation of the old homestead. The public road runs north and south;
and both houses face eastward. The old house stands about two hundred
yards from the road, surrounded by trees. Father's house (which was
being built at the time he was living in Hydesville) stands near the
road, with ample yard room surrounding it. When turning into the lane,
there is a slight descent until you reach a little bridge, called the
"Tell-tale Bridge," over a small stream, which in wet seasons runs
through the vale; after which you gradually ascend until you reach the
level on which the main buildings stand. It is called the Tell-tale
Bridge because the hoofs and wheels always announce the approach of
visitors.
Public-domain text, read in full here on John Shaqi.
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