The Mistress of ShenstoneBarclay, Florence L. (Florence Louisa)
General
The Mistress of Shenstone
Barclay, Florence L. (Florence Louisa)
English fiction
He had been superficially honest in the reasons he had given to Myra
regarding the impossibility of marriage between them. He had said all the
things which he knew others might be expected to say; he had mercilessly
expressed what would have been his own judgment had he been asked to
pronounce an opinion concerning any other man and woman in like
circumstances. As he voiced them they had sounded tragically plausible
and stoically just. He knew he was inflicting almost unbearable pain upon
himself and upon the woman whose whole love was his; but that pain seemed
necessary to the tragic demands of the entire ghastly situation.
Only after he had finally left her and was on his way back to town, did
Jim Airth realise that the pain he had thus inflicted upon her and upon
himself, had been a solace to his own wounded pride. His had been the
mistake, and it re-established him in his own self-respect and sense of
superiority, that his should be the decision, so hard to make--so
unfalteringly made--bringing down upon his own head a punishment out of
all proportion to the fault committed.
But, now that the strain and tension were over, his natural honesty of
mind reasserted itself, forcing him to admit that his own selfish pride
had been at the bottom of his high-flown tragedy.
Myra's simple loving view of the case had been the right one; yet,
thrusting it from him, he had ruthlessly plunged himself and her into a
hopeless abyss of needless suffering.
By degrees he slowly realised that in so doing he had deliberately
inflicted a more cruel wrong upon the woman he loved, than that which he
had unwittingly done her in the past.
Remorse and regret gnawed at his heart, added to an almost unbearable
hunger for Myra. Yet he could not bring himself to return to her with
this second and still more humiliating confession of failure.
His one hope was that Myra would find their separation impossible to
endure, and would send for him. But the days went by, and Myra made no
sign. She had said she would never send for him unless assured that
coming to her would mean happiness to him. To this decision she quietly
adhered.
In a strongly virile man, love towards a woman is, in its essential
qualities, naturally selfish. Its keynote is, "I need"; its dominant, "I
want"; its full major chord, "I must possess."
On the other hand, the woman's love for the man is essentially unselfish.
Its keynote is, "He needs"; its dominant, "I am his, to do with as he
pleases"; its full major chord, "Let me give all." In the Book of
Canticles, one of the greatest love-poems ever written, we find this
truth exemplified; we see the woman's heart learning its lesson, in a
fine crescendo of self-surrender. In the first stanza she says: "My
Belovèd is mine, and I am his"; in the second, "I am my Belovèd's and he
is mine." But in the third, all else is merged in the instinctive joy of
giving: "I am my Belovèd's, and his desire is towards me."
Public-domain text, read in full here on John Shaqi.
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